It’s all mush, but the feminist angle may keep the fans loyal.
Family secrets dominate this sluggish melodrama, a second novel that recalls the corrosive secret at the heart of Edwards’s surprise bestseller The Memory Keeper’s Daughter (2005).
Lucy Jarrett is front and center. When she was 17, she made what she felt was a fateful decision. She harshly dismissed her father’s suggestion they go fishing on the lake; he went alone and accidentally drowned. Guilt-stricken, Lucy unceremoniously dumped her Native American boyfriend Keegan and left her hometown, the eponymous Lake of Dreams in upstate New York, to attend college out West. Then came a career as a hydrologist working for multi-nationals and a string of short-lived romances. Now, pushing 30 and unemployed, she’s living with her latest lover, the Japanese engineer Yoshi, outside Tokyo. She flies home after hearing her mother has had an accident. It’s minor, but Lucy is surrounded by change. Her mother has a new admirer; her uncle Art, who owns the family hardware store, is spearheading a contested lakeside development; and Keegan, married but separated, has a successful glassworks. How curious, then, that amid these upheavals, the jet-lagged Lucy should zero in on the past after discovering some hidden papers. She learns about her great-great-aunt Rose. Back in England in 1910, the 15-year-old had been seduced, impregnated and abandoned by the lord of the manor, that scoundrel. After traveling to America with her brother Joseph, she had been separated from her daughter after marching with suffragettes. All this Lucy learns from letters she has stolen from the Historical Society. Why Lucy should feel a life-changing connection to Rose is never clear; her problem is she’s commitment-shy, as shown by her renewed interest in Keegan (forget about Yoshi). The rush of events near the end includes the discovery of an old will, an anguished confession about her dad’s boating accident and Lucy’s trashing of the family store; being the heroine, she gets a pass.
It’s all mush, but the feminist angle may keep the fans loyal.Pub Date: Jan. 4, 2011
ISBN: 978-0-670-02217-5
Page Count: 400
Publisher: Viking
Review Posted Online: Sept. 30, 2010
Kirkus Reviews Issue: Oct. 15, 2010
BOOK REVIEW
BOOK REVIEW
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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