A fitting thrill ride of a conclusion to a four-book series packed with complex characters, motives, and themes that will...
In the final installment of this tetralogy, Callaghan and girlfriend Samantha are pursued through Mexico and Australia by an assortment of criminals and lawmen. Though eluding capture, they long for a normal life, so they hatch one final scheme to set things right.
Ekemar (The Quarry at the Crossroads, 2014, etc.) packs the finale of this original, complex tale with action and intrigue from stem to stern. Callaghan, thrust into a life of revenge, murder, and false identity after being mutilated by mobsters, crosses into Mexico with the Arizona police hot on his tail. While plotting his evasive maneuvers from local police, drug cartels, British and American gangsters, the FBI, Interpol, and assorted other ill-wishers, the resourceful Brit also manages to convince Samantha they are on a fun-filled, romantic holiday. As in earlier installments, Callaghan’s schemes are intricate and brilliant, as is Ekemar’s successful juggling of the sheer volume of characters, deceits, motives, and themes. Eventually, Callaghan must confess an edited version of his history to Samantha—a long recap that smacks of padding—and together they concoct a plan to redeem his identity. The series reverberates with various themes: identity, retribution, redemption. Callaghan’s situation blurs the lines between good and evil, and Ekemar expands that idea in this volume. Not only does Samantha willingly use her accounting and people skills toward Callaghan’s ends, but Yuliana, his ex, seizes the opportunity to exact her own very nasty revenge on a man who repeatedly raped her as a young girl. Exactly what constitutes justice and what humans are capable of under certain circumstances are key questions that run through the four books—gray areas that will cause some readers to celebrate the ending and others to reject it. Whatever one thinks of how things turn out, however, there is no doubt that suspense and mystery will join them to the last word.
A fitting thrill ride of a conclusion to a four-book series packed with complex characters, motives, and themes that will delight and perhaps trouble, but not disappoint, fans of this series.Pub Date: Aug. 16, 2014
ISBN: 978-1492849261
Page Count: 198
Publisher: CreateSpace
Review Posted Online: May 7, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
An addictive psychological thriller.
When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.
Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.
An addictive psychological thriller.Pub Date: May 19, 2015
ISBN: 978-0-06-236225-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
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