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CALLAGHAN IN THE CROSS HAIRS

From the Callaghan Septology series

A fast-paced, page-turning continuation of a singular and thought-provoking series.

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Ekemar (The Callaghan Tetralogy, 2018, etc.) revisits the adventurous exploits of Matthias Callaghan in this exhilarating opening to a new trilogy.

Callaghan’s odyssey began when he was mutilated by Russian mobsters, received a face transplant at a Swiss clinic, and then set out to wreak revenge. Along the way, he switched faces again to assume his father’s identity and continued to juggle the myriad aspects of his convoluted life. Now, his Jekyll-and-Hyde existence seemingly behind him, Callaghan has a new family, a new house, and a new life in Australia. Ekemar spends the lion’s share of this installment laying out the protagonist’s situation while establishing the various characters and what roles they’ll play in the cliffhanger ending. He effectively assembles a complex web of mobsters, reporters, cops (clean and dirty, local and international), smugglers, and people who’ve been wronged by one or more of Callaghan’s ever shifting personae. The action bounces around to encompass Russian gangster machinations in the United Kingdom, a smuggling operation by plane and camel caravan in Morocco and Mauritania, other members of the Russian mob tailing a dirty cop as he lives it up in France, a crucial arrest at an Italian airport, and a blissfully ignorant Callaghan awaiting his third child. In between, Ekemar skillfully and unobtrusively recaps pertinent details of Callaghan’s unique history via dialogue, introspection, speculation, and exposition. Readers will find it useful to read Ekemar’s last four Callaghan books before approaching this one. However, it will surely please established fans.

A fast-paced, page-turning continuation of a singular and thought-provoking series.

Pub Date: May 7, 2018

ISBN: 978-1-71739-710-2

Page Count: 196

Publisher: CreateSpace

Review Posted Online: June 16, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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