by Kim Ellas ‧ RELEASE DATE: May 30, 2013
A brutally, admirably honest memoir that won’t fail to shock.
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A frank, true-life tale of the horrors of child abuse and the lifelong consequences of parental neglect.
Born in the mid-1960s to free-spirited teen Anita, Ellas had a chaotic, troubled childhood. The family (including his sister, Lisa, and a rotating cast of friends and romances) was rootless, and Anita’s drug addiction and poor choices in men meant abuse—physical, sexual and emotional. Eventually, the authorities stepped in, and Ellas was plucked from one hell only to be thrown into another, as a depressing succession of foster and group homes inflicted their own traumas. Adulthood got off to a promising start with a stint in the Marines, but the abuse still haunted him. His relationships with women were dysfunctional, and he succumbed to alcoholism. Only with intense therapy was he able to begin the difficult—and ongoing—healing process. In his first book, Ellas relies on a straightforward recitation of facts to tell his story, rendering details from his childhood with painful clarity: “He jumped up and planted his foot squarely in my chest, kicking me. I remember leaving the ground as his energy launched me into the air backward.” Given his horrific childhood, his indulgence in some self-pity would be forgivable, but there’s little of that here, even though the anger Ellas continues to feel is a constant undercurrent. At the same time, however, there’s a sense that Ellas is eliding some of the more difficult moments from his adult life. The mother of his children accuses him of assault, but he dismisses the incident as “an intense argument that I barely remember.” And his own children are virtually absent from the book, leaving readers to speculate as to how Ellas’ experiences might have colored his approach to fatherhood. Still, he makes no attempt to force his story into a stale triumph-over-adversity narrative. Ellas makes it clear that the abuse marked him for life, and while he’s managed to quit drinking and has made progress in therapy, he will “always be a work in progress.”
A brutally, admirably honest memoir that won’t fail to shock.Pub Date: May 30, 2013
ISBN: 978-0615763125
Page Count: 342
Publisher: Micheal Sallee
Review Posted Online: Aug. 27, 2013
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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