by Kim Heacox ‧ RELEASE DATE: May 1, 2005
Tender chronicle of a miracle in process, with glints of its rarity thrown by the handful from these pages.
A long-time resident of Alaska’s Glacier Bay reflects on and explores human accountability toward the area.
“Does that which nurtures us in turn deserve our nurturing?” asks Heacox (Caribou Crossing, , 2001, etc.), but it’s not really a question. What nurtures him, and has for the last 25 years, is storm-thrummed, ice-cut Glacier Bay: “a world in transition from bare rock to bears, a magical place, a miracle place,” as his geology professor told him. That was enough to get the author into a kayak with a friend back in 1979 to paddle its length, an immaculately described journey. Forever changed by the experience of piloting a lone boat in 3.3-million acres of wilderness, he stayed on. Heacox offers great descriptions of the region’s elemental beauty: light like green apples, monarch yellow cottonwoods, bruised clouds and long rains. Fearful of the ever-increasing human impact on the bay, from commercial fishing to industrial tourism, he remembers to judge himself as he goes about judging others; after all, he himself moved in and built a house on a handsome piece of acreage. But Heacox is nonetheless protective of his home place, and he finds himself hoisted into position as president of Friends of Glacier Bay, a group dedicated to preserving the area’s ecology and its opportunities for solitude. They wage a political fight to keep the bay as quiet and unsullied as possible, excavated only by glaciers, with fish nurseries the only multiple dwellings. Heacox recounts time spent with the many friends he has made in the area, a pleasingly witty society of odd-fellows, as well as the relationships that have gone sour due to his activism.
Tender chronicle of a miracle in process, with glints of its rarity thrown by the handful from these pages.Pub Date: May 1, 2005
ISBN: 1-59228-715-8
Page Count: 264
Publisher: Lyons Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2005
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by Lulu Miller illustrated by Kate Samworth ‧ RELEASE DATE: April 14, 2020
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Lulu Miller ; illustrated by Hui Skipp
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by Annie Dillard ‧ RELEASE DATE: March 13, 1974
This is our life, these are our lighted seasons, and then we die. . . . In the meantime, in between time, we can see. . . we can work at making sense of (what) we see. . . to discover where we so incontrovertibly are. It's common sense; when you-move in, you try to learn the neighborhood." Dillard's "neighborhood" is hilly Virginia country where she lived alone, but essentially it is all those "shreds of creation" with which every human is surrounded, which she is trying to learn, to know — from finite variations to infinite possibilities of being and meaning. A tall order and Dillard doesn't quite fill it. She is too impatient to get about the soul's adventures to stay long with an egg-laying grasshopper, or other bits of flora and fauna, and her snatches from physics and biological/metaphysical studies are this side of frivolous. However, Ms. Dillard has a great deal going for her — in spite of some repetition of words and concepts, her prose is bright, fresh and occasionally emulates (not imitates) the Walden Master in a contemporary context: "Trees. . . extend impressively in both directions, . . . shearing rock and fanning air, doing their real business just out of reach." She has set herself no less a task than understanding emotionally, spiritually and intellectually the force of the creative extravagance of the universe in all its beauty and horhor ("There is a terrible innocence in the benumbed world of the lower animals, reducing life to a universal chomp.") Experience can be focused, and awareness sharpened, by a kind of meditative high. Thus this becomes somewhat exhausting reading, if taken in toto, but even if Dillard's reach exceeds her grasp, her sights are leagues higher than that of Anne Morrow Lindbergh's Gift from the Sea, regretfully (re her sex), the inevitable comparison.
Pub Date: March 13, 1974
ISBN: 0061233323
Page Count: -
Publisher: Harper's Magazine Press
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: March 1, 1974
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