4 INGREDIENTS GLUTEN-FREE

MORE THAN 400 NEW AND EXCITING RECIPES ALL MADE WITH 4 OR FEWER INGREDIENTS AND ALL GLUTEN-FREE!

McCosker and Bermingham (4 Ingredients: More than 400 Quick, Easy, and Delicious Recipes Using 4 or Fewer Ingredients, 2011, etc.) apply their four-ingredient recipe format to gluten-free cooking.

These are not gourmet meals, but quick, easy-to-assemble recipes for everything from dips to desserts. The four-ingredient recipes often rely on shortcuts using processed foods, mixes and prepared sauces, but experienced cooks can improve on these recipes with a few more ingredients and creative spices. While the book is pitched to mothers and families, it will also serve the busy single person or empty nester. The authors begin with sections on food to avoid for gluten sensitivity, how to stock your cupboard and healthy food substitutions. The 400 recipes that follow are broken down by meals, and the recipes are simple but appetizing: lamb, rosemary and chorizo skewers; Tandoori salmon; peas with mint and garlic butter. Each recipe includes the serving size, the four (or fewer) ingredients and quick instructions. There are no photographs. The authors also include gluten-free recipes for children (BBQ chicken pizza, potato bake), lunch-box ideas and baby-food recipes. The back of the book is an odd mix of household tips (how to fix scratched CDs and keep hair dye from staining your skin), an excerpt of “All I Really Need to Know I Learned in Kindergarten” and a good discussion of cooking oils and herbs. This book is not a go-to reference on gluten-free cooking, but it offers a list of websites and a bibliography of resources and gluten-free cookbooks. A basic cookbook that works for busy gluten-free families or those who are just embarking on a gluten-free diet.  

 

Pub Date: March 27, 2012

ISBN: 978-1-4516-3571-3

Page Count: 256

Publisher: Atria

Review Posted Online: Jan. 16, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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