Both macabre and cheery—a rare treat.
In a watery anatomy lesson, a pirate skeleton gathers up and reconnects its scattered bones.
As it goes, Norman’s rollicking rhymes cleverly incorporate each major bone’s common and formal names: “Collar me a collarbone, / the way-down-where-I-swaller bone, / a handy parrot-hauler bone— / I claim my clavicle.” She tracks her skeletal buccaneer’s sandy-bottom reassembly from skull to “fair phalanges.” Sandwiched between visual keys on the endpapers (in separate pieces in the front and assembled and accoutered in the rear), Kolar scatters simplified but recognizable body parts (plus the requisite peg leg) across sea beds well-populated with colorful tropical fish and other marine denizens. Several of these pitch in to help before the narrative leaves the finished skeleton posing heroically atop a sunken ship with a spyglass clutched in its metacarpals: “There’s treasure to be found here— / I feel it in my bones!” Budding biologists as well as general fans of pirates, poetry, and wordplay will agree—and it makes a fuller (and less freighted) alternative to Bob Barner’s Dem Bones (1996) and other versions of the old teaching spiritual.
Both macabre and cheery—a rare treat. (Picture book. 6-8)Pub Date: July 16, 2019
ISBN: 978-0-7636-8841-7
Page Count: 40
Publisher: Candlewick
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
Amusing, yes. Useful for reading practice, yes, but not necessarily guaranteed to make new readers the “read-i-est.” (Early...
Elephant and Piggie make an appearance to introduce the first in their new series, an egalitarian introduction to superlatives.
Each one of seven blades of talking grass—of a total of eight—discovers that it is superb at something: it’s tallest, curliest, silliest, and so forth. The humor aims to appeal to a broad spectrum. It is slightly disturbing that one being eaten by purple bugs is proud of being the crunchiest, but that will certainly appeal to a slice of the audience. The eighth blade of grass is grappling with a philosophical identity crisis; its name is Walt, a sly reference to Whitman's Leaves of Grass that will go right over the heads of beginning readers but may amuse astute parents or teachers. Tension builds with the approach of a lawn mower; the blades of grass lose their unique features when they are trimmed to equal heights. Mercifully, they are chopped off right above the eyes and can continue their silly banter. Departing from the image of a Whitman-esque free spirit, Walt now discovers he is the neatest. Lots of speech bubbles, repetition, and clear layout make this entry a useful addition to lessons on adjectives and superlatives while delivering a not-so-subtle message that everyone is good at something. Elephant and Piggie's final assertion that “this book is the FUNNIEST” doesn't necessarily make it so, however.
Amusing, yes. Useful for reading practice, yes, but not necessarily guaranteed to make new readers the “read-i-est.” (Early reader. 6-8)Pub Date: Sept. 20, 2016
ISBN: 978-1-4847-2635-8
Page Count: 64
Publisher: Hyperion
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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