A dino-delight.
A Cretaceous counting rhyme leading up to a toothy 10th.
Norman’s latest outing and first collaboration with Collet-Derby is storytime and read-aloud gold, featuring as it does a tight, patterned rhyme, an artful use of page turns, and a mighty “ROAR!” midstream—not to mention lots of dinosaurs. In meter and rhyme scheme, it’s modeled after “One potato, two potato”: “One-osaurus, two-osaurus… / three-osaurus, four….” The count gathers a growing gang of “prehistoric pals” until nine have accumulated, at which point the text begins building tension with first a “dinosaur stampede!” and then four double-page spreads of anticipatory quiet as each dino hunkers down behind a number-shaped rock. Finally an enormous shadow heralds the arrival of “ten-osaurus rex!”…who makes a big, loud entrance but turns out to be (wait for it) huge of personality but physically the most diminutive dino of the lot. Rendered in a flat, serigraphic style, the dot-eyed dinosaurs of diverse type are each kitted out with some human article of clothing or accessory. The yellow ankylosaurus sports a red beret; the white apatosaurus has blue polka dots and wears a red-and-white–striped muffler. They stampede through minimalist settings stocked with great big, black numerals that wind up doing double duty, in various orientations, as hiding places for the startled playmates. What’s next? How about a closing change of game: “Simon Says-osaur!”
A dino-delight. (Picture book. 3-5)Pub Date: March 23, 2021
ISBN: 978-1-5362-0179-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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