A poignant interracial love story that grapples with hate and violence.
A few weeks after getting jumped by boys from a rival town, a black student disappears, causing his white girlfriend to assume the worst.
Jessie is devastated by the disappearance of her boyfriend, Chris, and becomes increasingly suspicious of foul play. Jessie is a white girl from a poor neighborhood. Chris is a model student, a pacifist, and a talented athlete—and he happens to be African-American. The plot builds on an intriguing series of clues, exploring gender and racial hate crimes, drug addiction, freak accidents, and mental illness. The book’s strength lies in the normalization of their love story, and while race is often a factor in their relationship, the issues they face ring deep and true. When his mother describes Chris, one of the few black students in the town, to the local police, Jessie remarks, “You should tell them that he has a dimple.” Jessie is so clearly not racist, remembering Chris by his idiosyncrasies—how he likes “retro candy,” for instance—and yet she too can fall prey to the most basic assumptions. The premise, that the book is one long letter from Jessie to the missing Chris, displays the essential contrivance of the epistolary form, yet Purcell handles the nuances of interracial relationships with a remarkably sensitive and observant eye and challenges readers to view racism under a broader category of generalizations.
A poignant interracial love story that grapples with hate and violence. (Thriller. 12-16)Pub Date: Jan. 30, 2018
ISBN: 978-1-4847-9834-8
Page Count: 368
Publisher: Disney-Hyperion
Review Posted Online: Oct. 15, 2017
Kirkus Reviews Issue: Nov. 1, 2017
BOOK REVIEW
An emotionally engaging and draining debut.
Two teenagers suffer through their first heartbreak.
Henry Page has spent his high school years with his nose to the grindstone, avoiding romantic relationships and focusing on becoming the editor of the school paper. At the start of his senior year Henry is offered the job, but there’s a catch: transfer student Grace Town is offered the gig as well, making the two white teens co-editors. Sparks fly as Henry works with the aloof, unkempt new girl, who walks with a cane. As Henry and Grace grow closer, Henry falls deeper for her even as he learns just how broken she is. In her debut, Sutherland mixes her love story with equal parts hope and ominous dread. There is never any doubt that this couple is marching toward romantic oblivion, but it’s an effectively drawn journey. The characters speak with a John Green–esque voice, but they are never overbearingly precocious. Narrator Henry’s a smartly rendered character, a decent kid who has goals and works hard to achieve them. His new goal is Grace’s affection, and the unstoppable force meeting the immovable object that is Grace’s emotional unavailability provides the novel some of its sharpest moments. When the walls tumble down, the connection between the two is clearly an unhealthy one, and the author pulls no punches, devastating Henry, Grace, and readers in equal measure.
An emotionally engaging and draining debut. (Fiction. 12-16)Pub Date: Oct. 4, 2016
ISBN: 978-0-399-54656-3
Page Count: 320
Publisher: Putnam
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
BOOK TO SCREEN
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway.
Stephanie and her family move into an old mansion rumored to have been put under a curse after a turn-of-the-20th-century rich boy meddled with an Egyptian mummy.
After her young sister complains about strange events, high school student Stephanie befriends Lucas, a geeky, good-looking boy, and meets the other members of SPOoKy, the Scientific Paranormal Organization of Kentucky: Charlotte, Wes, and Patrick. Stephanie learns the history of her new home from Lucas, who attracts her romantic attention, but the usually levelheaded girl is soon drawn to Erik, the handsome phantom who first comes to her in dreams. The story is told in chapters narrated by Stephanie, Lucas, and Zedok, whose identity is initially a source of confusion to Stephanie. Zedok appears wearing different masks, “personified slivers” of his soul, representing states of mind such as Wrath, Madness, and Valor. Meanwhile, until gifted singer Stephanie came along and he could write songs for her, Erik’s dreams were thwarted; he wanted to be a composer but his family expected him to become a doctor. In the gothic horror tradition, Erik’s full background and connection with Zedok are slowly revealed. Romantic dream sequences are lush and swoon-y, but the long, drawn-out battle to end the curse, aided by a celebrity clairvoyant, is tedious, and the constant introduction of Erik’s different personae is confusing. Most characters default to White; Patrick is Black.
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway. (Horror. 13-16)Pub Date: Aug. 17, 2021
ISBN: 978-0-593-11604-3
Page Count: 528
Publisher: Viking
Review Posted Online: May 26, 2021
Kirkus Reviews Issue: June 15, 2021
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