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TRAFFICKED

After this, readers won't find them so easy to ignore: One could be the nanny next door.

Before her parents died in a terrorist bombing, Hannah was an ordinary Moldovan teen, dreaming of becoming a doctor. Now she sells carrot salad in the market and watches her future recede while her peers plan for college.

Offered a way out—false documents and a high-paying job as a nanny in California—Hannah accepts. Her terrifying journey nets her unpaid slavery as nanny and housekeeper in a house she’s forbidden to leave. Her room is a windowless garage without privacy; her letters home are stolen. Smart yet naive, crushed yet resilient, nearly but not entirely powerless, Hannah grows attached to the children. But their mother abuses Hannah, and their father and his predatory associate stalk her. She finds some consolation watching the boy next door; he’s her age, but they live in utterly different worlds. Hannah’s world, in which men have the power and freedom to treat her body as their property, where any small kindness is expected to be returned in sexual currency, is chillingly credible and unflinchingly revealed. Halfway through this debut, a distracting, melodramatic subplot featuring complicated political intrigue is introduced, but Hannah herself, compelling and believable, keeps readers focused on her plight and that of other de facto slaves worldwide.

After this, readers won't find them so easy to ignore: One could be the nanny next door. (author’s note) (Fiction. 12 & up)

Pub Date: Feb. 16, 2012

ISBN: 978-0-670-01280-0

Page Count: 400

Publisher: Viking

Review Posted Online: Dec. 13, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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THE GETAWAY

Hold tight: You’ll want to stay on this nightmarish roller coaster till the end.

Trapped in an apocalyptic theme park, teens fight back.

Jay has it pretty good, all things considered, in a not-too-distant future absolutely ravaged by droughts, fires, floods, and powder-keg instability. He and his family are live-in employees of Karloff Country, a mountaintop in Virginia taken over by a billionaire family who created their own version of Disneyland as a refuge for their similarly wealthy peers to cavort away from the destruction they helped create. But when the end times loom, Jay realizes that the new guests, the Trustees, are privileged to the point of sociopathy, torturing staff over perceived slights with impunity. Jay rebels along with fellow Karloff Academy seniors Zeke and Connie and Seychelle, his crush and an heir to the Karloff fortune (Chelle’s racist grandfather, Franklin Karloff, hasn’t gotten over her White mom’s having had a biracial Black baby). They’re all fast friends; “the Black kids always find each other.” Narrated through multiple points of view, the novel features Jay’s perspective most prominently, with some interludes from his friends, all presented in Giles’ signature strong, accessible voice. With hints of Cory Doctorow, Jordan Peele, and Richard Matheson, this book stands on its own as a dystopian adventure, but the deeper metaphors around servitude, privilege, class, and solidarity mean that there’s a lot to think about as the characters reckon with their proximity to and complicity in violence both local and far-flung.

Hold tight: You’ll want to stay on this nightmarish roller coaster till the end. (Horror. 13-18)

Pub Date: Sept. 20, 2022

ISBN: 978-1-338-75201-4

Page Count: 400

Publisher: Scholastic

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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THE FAULT IN OUR STARS

Green seamlessly bridges the gap between the present and the existential, and readers will need more than one box of tissues...

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He’s in remission from the osteosarcoma that took one of his legs. She’s fighting the brown fluid in her lungs caused by tumors. Both know that their time is limited.

Sparks fly when Hazel Grace Lancaster spies Augustus “Gus” Waters checking her out across the room in a group-therapy session for teens living with cancer. He’s a gorgeous, confident, intelligent amputee who always loses video games because he tries to save everyone. She’s smart, snarky and 16; she goes to community college and jokingly calls Peter Van Houten, the author of her favorite book, An Imperial Affliction, her only friend besides her parents. He asks her over, and they swap novels. He agrees to read the Van Houten and she agrees to read his—based on his favorite bloodbath-filled video game. The two become connected at the hip, and what follows is a smartly crafted intellectual explosion of a romance. From their trip to Amsterdam to meet the reclusive Van Houten to their hilariously flirty repartee, readers will swoon on nearly every page. Green’s signature style shines: His carefully structured dialogue and razor-sharp characters brim with genuine intellect, humor and desire. He takes on Big Questions that might feel heavy-handed in the words of any other author: What do oblivion and living mean? Then he deftly parries them with humor: “My nostalgia is so extreme that I am capable of missing a swing my butt never actually touched.” Dog-earing of pages will no doubt ensue.

Green seamlessly bridges the gap between the present and the existential, and readers will need more than one box of tissues to make it through Hazel and Gus’ poignant journey. (Fiction. 15 & up)

Pub Date: Jan. 10, 2012

ISBN: 978-0-525-47881-2

Page Count: 272

Publisher: Dutton

Review Posted Online: Jan. 9, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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