A solid mix of domestic drama and sci-fi absurdity, this series opener provides a promising start that intrigues as well as...
Derting (The Offering, 2013, etc.) kicks off a new series about a teen softball star who disappears one night after the big game and returns five years later with no memory of where she’s been.
The book is separated into two distinct halves. Character drives the first half as Kyra reassembles the pieces of her life and discovers that family and friends have moved on with their own. The second half pokes around the greater mystery of where Kyra’s been by turning the book into a plot-point machine and setting up a larger universe that will surely be explored in coming installments. The book’s strength lies more in the first half than the second, as Kyra and her family cope with the extraordinary circumstances thrust upon them. Just as they’ve begun to heal, Kyra comes back to rip open their wounds with riveting and heartbreaking results that the author explores with great success. Less successful is Kyra’s romance with the boy across the street, Tyler, who is defined solely by his dreamy smile and steadfast dedication to doing whatever Kyra wants him to do. Their romance marks the book’s low point, but the author ends on a high note with conspiracies, underground rebel networks and spooky government agencies.
A solid mix of domestic drama and sci-fi absurdity, this series opener provides a promising start that intrigues as well as it entertains . (Science fiction. 14-18)Pub Date: April 29, 2014
ISBN: 978-0-06-229360-2
Page Count: 368
Publisher: HarperTeen
Review Posted Online: Feb. 4, 2014
Kirkus Reviews Issue: Feb. 15, 2014
A gritty, raw account of surviving tragedy one minute at a time.
Sixteen-year-old Tiger Tolliver’s struggles are relatively minor—she’s stuck in secondhand threads and lusts after her biology partner—until her overprotective but loving mother unexpectedly dies.
For more than 200 pages, readers endure with Tiger the two weeks that follow her mother’s death. A minor with no known living relatives, Tiger becomes a ward of the state of Arizona, sharing foster homes with kids who have been abused and abandoned. She finds herself responsible for the logistics of death, such as the funeral planning and ordering death certificates. Tiger obsesses over the last words she screamed to her mom, “Why can’t you ever just fucking leave me alone?” and refuses to take off the outmoded dress that was the last thing her mother ever bought her. The onslaught of grief and regret is so intimate that at times the novel feels claustrophobic, as if there is no escape. Which, of course, for Tiger, there isn’t. There’s only surrender to her new normal. A few glimmers of hope appear in the form of friendships and kindnesses, but this narrative is chiefly a first-person experience of the void left behind when the most important person in a young woman’s life is suddenly gone. It’s visceral and traumatic, pulsing with ache. Tiger is white, and many secondary characters are black and Latinx.
A gritty, raw account of surviving tragedy one minute at a time. (Fiction. 14-18)Pub Date: April 9, 2019
ISBN: 978-1-101-93475-3
Page Count: 432
Publisher: Delacorte
Review Posted Online: Jan. 7, 2019
Kirkus Reviews Issue: Feb. 1, 2019
In the end, it’s just another violent dystopian series opener for all its yellow-brick veneer, but it’s a whole lot more fun...
When a cyclone deposits a 21st-century Kansas teen in Oz, she and readers discover there’ve been some changes made.
Dirt-poor “Salvation Amy” Gumm lives in a trailer park, effectively parenting her alcoholic mom (her dad ran off years ago), who seems to care more about her pet rat, Star, than her daughter. That doesn’t mean Amy is eager to be in Oz, particularly this Oz. Tyrannized by a megalomaniacal Dorothy and mined of its magic, it’s a dystopian distortion of the paradise Baum and MGM depicted. In short order, Amy breaks the wholly capricious laws and is thrown into a cell in the Emerald City with only Star for company. There, she’s visited first by the mysterious but sympathetic Pete and then by the witch Mombi, who breaks her out and takes her to the Revolutionary Order of the Wicked (among whom is the very hot Nox). Amy may well be the salvation of Oz—only someone from the Other Place can take Dorothy down. Paige has clearly had the time of her life with this reboot, taking a dystopian-romance template and laying it over Oz. Readers of Baum’s books will take special delight in seeing new twists on the old characters, and they will greet the surprise climactic turnabout with the smugness of insiders.
In the end, it’s just another violent dystopian series opener for all its yellow-brick veneer, but it’s a whole lot more fun than many of its ilk. (Dystopian fantasy. 14 & up)Pub Date: April 1, 2014
ISBN: 978-0-06-228067-1
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: March 2, 2014
Kirkus Reviews Issue: March 15, 2014
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