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AMATEUR HOUR

MOTHERHOOD IN ESSAYS AND SWEAR WORDS

Bitterly hilarious in spots.

The modern motherhood memoir in a series of sardonic spoofs.

Creative director and humor writer Harrington reversed the typical American experience of childbearing, working 60-hour weeks while taking care of her newborn children before staying home with them a few years later, when a layoff forced her into freelance work. Using plenty of swear words, as advertised, she chronicles her years on both sides of the mommy wars, tallying the insults of an unenlightened corporate culture and the exquisite tortures of working from home with kids. The narrative features blog-style recollections punctuated with “time-outs”: conceptual interludes featuring hashtags, listicles, pretend dialogues, and quizzes (“Radiohead Song or Accurate Description of My Parenting?”). The least successful of these experiments are still clever, and though her comedic timing often fizzles, the frenzy of styles and self-conscious gimmicks keeps things lively and justifies her career as a professional thrower of ideas at walls. Harrington embraces the bravado and casual irreverence of the advertising industry even as she mocks it, and she never tires of portraying herself as an ill-fitting matriarch, a Don Draper who awoke one day to find himself leading a Girl Scout troop. The author is at her wittiest when transforming her outrage—especially at the sorry plight of mothers in the United States and their “cultural irrelevance” after maternity leave—into absurd, acerbic commentary. Like all effective satire, Harrington’s best bits arise from deep anger, and she reminds readers that, more than meal trains or forced holidays, mothers desperately need policy reform. Too often, her essays switch unexpectedly into truisms and parenting advice for soul-weary breeders, saccharine (if sincere) messages of encouragement that do not pair well with a plateful of sarcasm. Even if many of her observations and experiences prove more common and less funny than the packaging suggests, her quirky, dissenting energy should resonate with parents who find little use for the usual mommy-blogger fare.

Bitterly hilarious in spots.

Pub Date: May 1, 2018

ISBN: 978-0-06-283874-2

Page Count: 320

Publisher: Perennial/HarperCollins

Review Posted Online: Feb. 25, 2018

Kirkus Reviews Issue: March 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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