by Kimberly Reid ‧ RELEASE DATE: Jan. 29, 2013
A cliffhanger ending will have readers clamoring for more.
Chanti Evans is back in another episode of street-smart crime-solving in the Langdon Prep series.
This third entry keeps her efforts close to home in more ways than one. The story opens fast, with Chanti responding to a fire a few doors away. It doesn’t take much to alert her to the possibility that this episode is not what it seems. Despite her promises to her vice-cop mother, Lana, and the damage her investigations have done to her relationship with would-be love Marco, she gets deeply involved in her friend MJ’s troubles with her old gang. In between homework and friends, Chanti worries about arson and potential violence. As if this is not enough to keep a girl busy in the days before her 16th birthday, Chanti and her mother find their close relationship strained when Chanti’s long-absent father starts trying to contact them, resulting in more evasions by Lana about her parentage. Reid continues the snappy dialogue and clever storytelling of the previous volumes, and readers will detect real growth in Chanti as she works her way through her difficulties. There is a large cast to keep straight, and the crime itself is a bit complicated for a teen sleuth, but the secondary characters add nicely to the narrative, and there are times when Chanti’s insight is laugh-out-loud humorous.
A cliffhanger ending will have readers clamoring for more. (Mystery. 12 & up)Pub Date: Jan. 29, 2013
ISBN: 978-0-7582-6742-9
Page Count: 256
Publisher: Dafina/Kensington
Review Posted Online: Dec. 11, 2012
Kirkus Reviews Issue: Jan. 1, 2013
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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