by Kirk Kjeldsen ‧ RELEASE DATE: May 28, 2019
A generally strong tale of a bleak future seen through the eyes of one determined individual.
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A teenager from Oregon becomes an illegal immigrant in China.
In this near-future novel, Kjeldsen (The Depths, 2018) takes readers into a world where the United States has dissolved into a collection of failed states, and China is the destination for those with hopes for jobs and stability. Fourteen-year-old Job and his older brother, Eli, fend for themselves in an Oregon village. Before Eli dies of an untreated illness, he tells Job that their mother is not dead but left to work in a Chinese factory a decade earlier. With nothing to keep him in Oregon, Job decides to make his way to China, paying a smuggler and working for his keep on a decrepit cargo ship filled with refugees, including Ynez, on whom he develops a crush. After the harrowing journey, Job is held prisoner in a Chinese factory, where he must work off his debt to the smugglers. When it becomes clear the bosses will never let him go, Job and another worker manage to escape, and he sets off in search of his mother. The hunt is unsuccessful for months, although he does manage to achieve some financial stability as a bike messenger and to save Ynez, whose own refugee experience has been one of despair. Job ultimately tracks down his mother, but she is unwelcoming, although she does help after he is beaten and imprisoned. Despite the unanswered questions about his family, Job decides to let the past go and focus on his future with Ynez as they strive to look after themselves in an unwelcoming land. Kjeldsen does an excellent job of building Job’s damaged world, drawing vivid scenes: “Big, smoke-belching buses, gleaming town cars, and scores of taxis and motorcycles choked the busy avenues and boulevards, and drones rose and fell and rose again like horses on an amusement park carousel.” The book’s biblical themes are evident from the start; one of Job’s few possessions is “what was left of the family Bible, which his grandfather had used to teach him and Eli to read with and which only included the latter portions of the Old Testament from Ezra to Malachi and the first four books of the New Testament.” The parallels to present-day illegal immigration, human trafficking, and refugee crises are also hard to miss, with the story’s American characters experiencing the conditions that people in other countries currently face, though the text does not address these connections directly. While the writing is generally strong, there are some awkward moments, including Job’s descriptions of characters’ races (“Filipino or some other mixture of Latino and Asian”; “Asian Caucasian children”) and the frequency with which beaten-up characters are “sucking for air.” But the fast-paced plot will keep readers turning pages. And while the resolution of Job’s quest for his mother leaves the audience with few concrete answers, the novel’s ending is satisfying, showing persistence and hope for the future without an optimism that would be out of place in the narrative.
A generally strong tale of a bleak future seen through the eyes of one determined individual.Pub Date: May 28, 2019
ISBN: N/A
Page Count: 166
Publisher: Grenzland Press
Review Posted Online: March 18, 2019
Kirkus Reviews Issue: April 15, 2019
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
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