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EAST

A generally strong tale of a bleak future seen through the eyes of one determined individual.

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A teenager from Oregon becomes an illegal immigrant in China.

In this near-future novel, Kjeldsen (The Depths, 2018) takes readers into a world where the United States has dissolved into a collection of failed states, and China is the destination for those with hopes for jobs and stability. Fourteen-year-old Job and his older brother, Eli, fend for themselves in an Oregon village. Before Eli dies of an untreated illness, he tells Job that their mother is not dead but left to work in a Chinese factory a decade earlier. With nothing to keep him in Oregon, Job decides to make his way to China, paying a smuggler and working for his keep on a decrepit cargo ship filled with refugees, including Ynez, on whom he develops a crush. After the harrowing journey, Job is held prisoner in a Chinese factory, where he must work off his debt to the smugglers. When it becomes clear the bosses will never let him go, Job and another worker manage to escape, and he sets off in search of his mother. The hunt is unsuccessful for months, although he does manage to achieve some financial stability as a bike messenger and to save Ynez, whose own refugee experience has been one of despair. Job ultimately tracks down his mother, but she is unwelcoming, although she does help after he is beaten and imprisoned. Despite the unanswered questions about his family, Job decides to let the past go and focus on his future with Ynez as they strive to look after themselves in an unwelcoming land. Kjeldsen does an excellent job of building Job’s damaged world, drawing vivid scenes: “Big, smoke-belching buses, gleaming town cars, and scores of taxis and motorcycles choked the busy avenues and boulevards, and drones rose and fell and rose again like horses on an amusement park carousel.” The book’s biblical themes are evident from the start; one of Job’s few possessions is “what was left of the family Bible, which his grandfather had used to teach him and Eli to read with and which only included the latter portions of the Old Testament from Ezra to Malachi and the first four books of the New Testament.” The parallels to present-day illegal immigration, human trafficking, and refugee crises are also hard to miss, with the story’s American characters experiencing the conditions that people in other countries currently face, though the text does not address these connections directly. While the writing is generally strong, there are some awkward moments, including Job’s descriptions of characters’ races (“Filipino or some other mixture of Latino and Asian”; “Asian Caucasian children”) and the frequency with which beaten-up characters are “sucking for air.” But the fast-paced plot will keep readers turning pages. And while the resolution of Job’s quest for his mother leaves the audience with few concrete answers, the novel’s ending is satisfying, showing persistence and hope for the future without an optimism that would be out of place in the narrative.

A generally strong tale of a bleak future seen through the eyes of one determined individual.

Pub Date: May 28, 2019

ISBN: N/A

Page Count: 166

Publisher: Grenzland Press

Review Posted Online: March 18, 2019

Kirkus Reviews Issue: April 15, 2019

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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