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THE SPIRITUALITY OF AWE

CHALLENGES TO THE ROBOTIC REVOLUTION

A cogent plea to neither reject nor embrace technology but to try instead to look beyond it.

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A psychologist weighs in on the spiritual potential of computers and social media.

Schneider (Supervision Essentials for Existential-Humanistic Therapy, 2016, etc.) uses his expertise as an existential-humanist psychologist to explore the ever growing worry that technology is fracturing people’s attention—and their psyches. He’s specifically concerned, as many other writers are, that an empirical, computational style of thought has metastasized into other areas of our lives. He initially promises to chart a middle road between rabid technophobia and zealous technocracy. For example, he points out that the tendency to prefer quantifiable information, because it’s easily processed by machines, results in scientific research that prioritizes topics that are similarly quantifiable. This, in turn, encourages a reductive understanding of how our own minds work, he says, as we develop a habit of metaphorically comparing ourselves to machines. Schneider urges readers to develop and maintain a sense of awe about the possibilities of the modern world. To that end, he moves from reflection to speculation as he hypothesizes what an “awe-based” computing society would look like. And, on a smaller scale, he effectively draws upon his own experience with cervical dystonia—a neurological disorder characterized by involuntary neck spasms—to show how avoiding ruthless efficiency in all things can open one’s eyes to new forms of understanding. These personal examples do much to humanize his argument—and to explain why he’s so skeptical of the promises of technology. He authentically presents what he sees as a psychic dilemma, but readers may find that his prescribed solution—to preserve one’s sense of awe—can feel anodyne at times. Ultimately, though, his sketches of various psychological methods to combat the metaphorical mechanization of the self offer readers solid and encouraging alternatives.

A cogent plea to neither reject nor embrace technology but to try instead to look beyond it.

Pub Date: June 13, 2017

ISBN: 978-1-945949-69-2

Page Count: 195

Publisher: Waterfront Press

Review Posted Online: June 6, 2017

Kirkus Reviews Issue: July 15, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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