An appealing plot isn’t enough to support thinly drawn characters.
An ex–beauty queen, along with her teenage daughter, leaves a hardscrabble life in Oregon for Los Angeles, where she hopes to become a psychic to the stars.
Debbie Allen, a former Miss America contender, and her 17-year-old daughter, Lindsey, scrape by with waitressing and the psychic-reading business they conduct in their garage. Lindsey can read tea leaves and tarot cards and is in on the con, but she would rather devote her energies to school and winning a scholarship to study astronomy in college. But Debbie, equal parts blindly optimistic and perpetually dissatisfied, has other plans: After a mysterious fire burns down their house, they drive to LA, where they can live the life Debbie has always dreamed of. Settled in at the Sepulveda Apartment Complex, with an up-close view of the 405 freeway, Lindsey is soon enrolled as a scholarship student at a Christian school, the same one Paco, her hunky neighbor, attends. At school, Lindsey is mentored by her scholarship benefactor, Joan Fields, a lonely widow whom Debbie marks as their ticket to the good life. Debbie and Lindsey ingratiate themselves with Joan, so when a storm makes their apartment soggy and destroys Joan’s Malibu estate, the three end up living together in a bungalow at the Beverly Hills Hotel. This is only the beginning for Debbie, who plans to hold a séance for Joan’s dead husband while fleecing the widow of her considerable savings. Meanwhile, Lindsey is trying to fit in at school and plan for college while conducting an implausibly chaste romance with Paco. Though the novel has some light, sweet moments, the characters feel underdeveloped; while Lindsey and Debbie are essentially small-time grifters (though there's none of the excitement of that kind of novel here), there's little exploration of their inner lives.
An appealing plot isn’t enough to support thinly drawn characters.Pub Date: Nov. 4, 2014
ISBN: 978-1-62914-751-2
Page Count: 272
Publisher: Sky Pony Press
Review Posted Online: Sept. 27, 2014
Kirkus Reviews Issue: Oct. 15, 2014
Aspiring filmmaker/first-novelist Chbosky adds an upbeat ending to a tale of teenaged angst—the right combination of realism and uplift to allow it on high school reading lists, though some might object to the sexuality, drinking, and dope-smoking. More sophisticated readers might object to the rip-off of Salinger, though Chbosky pays homage by having his protagonist read Catcher in the Rye. Like Holden, Charlie oozes sincerity, rails against celebrity phoniness, and feels an extraliterary bond with his favorite writers (Harper Lee, Fitzgerald, Kerouac, Ayn Rand, etc.). But Charlie’s no rich kid: the third child in a middle-class family, he attends public school in western Pennsylvania, has an older brother who plays football at Penn State, and an older sister who worries about boys a lot. An epistolary novel addressed to an anonymous “friend,” Charlie’s letters cover his first year in high school, a time haunted by the recent suicide of his best friend. Always quick to shed tears, Charlie also feels guilty about the death of his Aunt Helen, a troubled woman who lived with Charlie’s family at the time of her fatal car wreck. Though he begins as a friendless observer, Charlie is soon pals with seniors Patrick and Sam (for Samantha), stepsiblings who include Charlie in their circle, where he smokes pot for the first time, drops acid, and falls madly in love with the inaccessible Sam. His first relationship ends miserably because Charlie remains compulsively honest, though he proves a loyal friend (to Patrick when he’s gay-bashed) and brother (when his sister needs an abortion). Depressed when all his friends prepare for college, Charlie has a catatonic breakdown, which resolves itself neatly and reveals a long-repressed truth about Aunt Helen. A plain-written narrative suggesting that passivity, and thinking too much, lead to confusion and anxiety. Perhaps the folks at (co-publisher) MTV see the synergy here with Daria or any number of videos by the sensitive singer-songwriters they feature.
Pub Date: Feb. 4, 1999
ISBN: 0-671-02734-4
Page Count: 256
Publisher: MTV Books/Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
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