Caught in the swirl of time.
Essayist and short story writer Menger-Anderson melds history and SF in her debut novel about loss, yearning, and the nature of reality.
The intricate plot tacks between contemporary California, where a young woman awaits a visit from her father, and 1930s Vienna, where a group of brilliant mathematicians becomes increasingly vulnerable to violence and antisemitism erupting with the rise of fascism. Hase’s father has told her that if ever he fails to appear when expected, she must go to a public library in Berkeley and retrieve a certain book by the Austrian mathematician Walfried Engelhardt and turn to page 71. When the Coast Guard finds her father’s abandoned boat, Hase follows those instructions, which set her on a circuitous path of discovery. Besides eking out a living tutoring and doing odd jobs, Hase has been devoted to editing Wikipedia entries, as was her father. “Like me,” she knows, “he enjoyed the site because he could be invisible and visible, an outsider and a participant simultaneously, a contradiction realized.” She finds comfort in browsing deleted pages, a “shadow history” of content. “Most people don’t even know it exists,” she admits, “but I’m a connoisseur of untold stories.” As Menger-Anderson’s narrative unfolds, Hase’s own shadow history emerges: She realizes her parents’ true identity, and she suddenly understands that her mysterious music box can effect time travel. Menger-Anderson drew on a memoir by her grandfather, a mathematician and member of the internationally renowned Vienna Circle in the 1930s, who was caught up in the political events that made intellectual life impossible; in 1936, he accepted a position in the U.S. and fled. As Hase discovers, though, the past can never truly be escaped; the present is haunted by shadows.
Caught in the swirl of time.Pub Date: March 18, 2025
ISBN: 9780593798300
Page Count: 256
Publisher: Crown
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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