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THE EXPERT OF SUBTLE REVISIONS

Caught in the swirl of time.

Essayist and short story writer Menger-Anderson melds history and SF in her debut novel about loss, yearning, and the nature of reality.

The intricate plot tacks between contemporary California, where a young woman awaits a visit from her father, and 1930s Vienna, where a group of brilliant mathematicians becomes increasingly vulnerable to violence and antisemitism erupting with the rise of fascism. Hase’s father has told her that if ever he fails to appear when expected, she must go to a public library in Berkeley and retrieve a certain book by the Austrian mathematician Walfried Engelhardt and turn to page 71. When the Coast Guard finds her father’s abandoned boat, Hase follows those instructions, which set her on a circuitous path of discovery. Besides eking out a living tutoring and doing odd jobs, Hase has been devoted to editing Wikipedia entries, as was her father. “Like me,” she knows, “he enjoyed the site because he could be invisible and visible, an outsider and a participant simultaneously, a contradiction realized.” She finds comfort in browsing deleted pages, a “shadow history” of content. “Most people don’t even know it exists,” she admits, “but I’m a connoisseur of untold stories.” As Menger-Anderson’s narrative unfolds, Hase’s own shadow history emerges: She realizes her parents’ true identity, and she suddenly understands that her mysterious music box can effect time travel. Menger-Anderson drew on a memoir by her grandfather, a mathematician and member of the internationally renowned Vienna Circle in the 1930s, who was caught up in the political events that made intellectual life impossible; in 1936, he accepted a position in the U.S. and fled. As Hase discovers, though, the past can never truly be escaped; the present is haunted by shadows.

Caught in the swirl of time.

Pub Date: March 18, 2025

ISBN: 9780593798300

Page Count: 256

Publisher: Crown

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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