Next book

THIEF OF LIVES

STORIES

Fifteen stories by the author of 1991's psychological thriller Gone (written as Kit Craig and soon to be seen as a TV melodrama). Reed is strongest on character, though a number of these pieces end with satisfying story-turns—while others don't deliver as strongly as the reader hopes. The best are about the persistence of love, despite hopeless separation, love that arises when least expected, the persistence of faith, the recovery of sanity during a deadly snowfall, giving up a childhood reliance on an escapist fantasy to face reality, and the failure of the ravages of time to destroy a loving friendship. In three of the stories the female main character's father has either drowned in a submarine disaster or escaped from drowning, once to drown in a prison of alcoholism. The outstanding stories are the first and last, ``In the Squalus'' and ``Thief of Life.'' In the Squalus, based on a famous pre-WW II submarine disaster off New England, the narrator's father is among the survivors who—to save themselves—have to close a hatch on fellow submariners and let them drown. The dead remain with him forever while he closes a hatch on himself, sealing himself off from his family. This begins with a terrific grip, but ends less strongly. Full of superb detail, ``Thief of Life'' finds time making caricatures of beloved friends whose home lives are far more bitter than shows. Two stories are most amusing: ``Winter'' about two old spinsters who keep an AWOL teenage Marine as their guest during a blizzard; he eats them nearly out of house and home, and then they return the favor. ``Academic Novel'' is a vast university soap-opera done in 15 pages, turning the life of the mind into hormonal horseplay. ``Queen of the Beach'' appeals strongly, about a callously happy, super-slim Florida mom and her overweight daughter. Reed is a clean, clear stylist, everywhere expert and attractive.

Pub Date: Oct. 1, 1992

ISBN: 0-8262-0850-9

Page Count: 192

Publisher: Univ. of Missouri

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

Categories:
Close Quickview