A moving book that highlights a long-gone world.
Cooking instructor and cookbook author Kitty Morse tells of discovering her great-grandparents’ memories and recipes in this history-filled cookbook.
The author was born in Casablanca, Morocco, shortly after World War II to a British aviation officer and a French administrative assistant. She knew that her maternal grandfather—her warm, gregarious pépé, Armand Darmon—came from an Algerian Sephardic family, but she knew little of her reserved, French-born mémé, Suzanne. It wasn’t until decades later, while cleaning out her deceased mother’s Oceanside, California, home, that the author came across a suitcase bearing a trove of documents bearing the mysterious title Les Archives Complètes des Familles Lévy-Neymarck. These documents told the story of her mémé’s parents—a secular Jewish doctor and his wife living in Châlons-sur-Marne at the time of the Nazi occupation. They include Dr. Prosper Lévy’s wartime diary and his wife Blanche Neymarck’s book of recipes. It was a bittersweet discovery, indeed: sweet because the author has written several cookbooks, and bitter because neither of her great-grandparents survived the occupation. With this archive, she effectively opens a window onto life in France before and during the war, elegantly tracing the familiar connections between love, grief, and food. It’s a project that was begun by her mother, Nicole,who transcribed some of the documents without ever mentioning their existence to the author: “I’d never understood what lay behind the intermittent bouts of depression that plagued my mother throughout her life,” Morse writes. “How I wished she’d shared Les Archives…with me, as difficult as that might have been.” Prosper’s diary covers the first year of the occupation, after which poor health prevented him from writing further; Blanche’s recipes are a mix of French and Alsatian dishes, from hearty stews and casseroles to wine-heavy preparations of duck, chicken, and fish. The desserts and baked goods section is the most extensive and alluring part of the book—featuring “Beignets de Carnaval” and “Alsatian Brioche”—but the entire work is richly illustrated with the author’s husband Owen Morse’s full-color photographs.
A moving book that highlights a long-gone world.Pub Date: N/A
ISBN: 9780578361642
Page Count: 210
Publisher: La Caravane Publishing
Review Posted Online: Sept. 14, 2023
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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