by Kiyomi Konagaya & illustrated by Masamitsu Saito & translated by Yuki Kaneko ‧ RELEASE DATE: June 1, 2012
A quietly sublime depiction of a child at play by the sea.
In this newest installment in the Being in the World series, Japanese collaborators Konagaya and Saito offer a lovely account of a day in the life of a child at the beach.
Cover art depicts pudgy toes scrunching down into the sand, and the book opens to a first-person, stream-of-consciousness text detailing the child’s seaside experience. It’s never clear whether this child is a boy or a girl, but this doesn’t matter, as from page to page those feet from the cover art feel the heat of sun-baked sand, the coolness of the ocean waters and the hard pressure of a seashell underfoot. Succinct, moment-by-moment narration delivers the child’s experiences in brief snippets of text that exult in the sensuous experiences of the surroundings. Throughout, Saito’s pastel illustrations make the most of cool and warm shades to convey the juxtaposition of water and sand and sun, while spontaneous linework depicts the exuberance of the child’s movements and the ebb and flow of the sea. Together, words and pictures combine to create a slice-of-life picture book that is more about setting than character and less a story than it is a mood piece.
A quietly sublime depiction of a child at play by the sea. (Picture book. 2-6)Pub Date: June 1, 2012
ISBN: 978-1-59270-121-6
Page Count: 32
Publisher: Enchanted Lion Books
Review Posted Online: April 24, 2012
Kirkus Reviews Issue: May 15, 2012
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by Tim McCanna ; illustrated by Aimée Sicuro ‧ RELEASE DATE: Feb. 18, 2020
Like its subject: full of bustling life yet peaceful.
Life buzzes in a community garden.
Surrounded by apartment buildings, this city garden gets plenty of human attention, but the book’s stars are the plants and insects. The opening spread shows a black child in a striped shirt sitting in a top-story window; the nearby trees and garden below reveal the beginnings of greenery that signal springtime. From that high-up view, the garden looks quiet—but it’s not. “Sleepy slugs / and garden snails / leave behind their silver trails. / Frantic teams of busy ants / scramble up the stems of plants”; and “In the earth / a single seed / sits beside a millipede. / Worms and termites / dig and toil / moving through the garden soil.” Sicuro zooms in too, showing a robin taller than a half-page; later, close-ups foreground flowers, leaves, and bugs while people (children and adults, a multiracial group) are crucial but secondary, sometimes visible only as feet. Watercolor illustrations with ink and charcoal highlights create a soft, warm, horticulturally damp environment. Scale and perspective are more stylized than literal. McCanna’s superb scansion never misses, incorporating lists of insects and plants (“Lacewings, gnats, / mosquitos, spiders, / dragonflies, and water striders / live among the cattail reeds, / lily pads, and waterweeds”) with description (“Sunlight warms the morning air. / Dewdrops shimmer / here and there”). Readers see more than gardeners do, such as rabbits stealing carrots and lettuce from garden boxes.
Like its subject: full of bustling life yet peaceful. (author’s note) (Picture book. 3-6)Pub Date: Feb. 18, 2020
ISBN: 978-1-5344-1797-7
Page Count: 48
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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by Anna McQuinn ; illustrated by Rosalind Beardshaw ‧ RELEASE DATE: Aug. 5, 2014
It’s gratifying to see Lola’s love of books leading her to new experiences.
Hoping to have a garden like the one in her poetry book, Lola plants seeds, waits and weeds, and finally celebrates with friends.
The author and illustrator of Lola Loves Stories (2010) and its companion titles take their appealing character outside. Inspired by her favorite poem, the nursery rhyme “Mary, Mary, Quite Contrary” (repeated on the front endpapers), Lola chooses her favorite flowers from library books. Helped by her parents, she grows a grandly diverse flower garden, just right for a celebration with peas and strawberries from the family plot. Beardshaw’s acrylic illustrations show her garden in all its stages. They also show the copper-toned preschooler reading on her mother’s lap, making a flower book, a beaded string with bells and shells, a little Mary Mary doll and cupcakes for the celebration. Her bunchy ponytails are redone, and her flower shirt is perfect for the party. Not only has she provided the setting; she makes up a story for her friends. The simple sentences of the text and charming pictures make this a good choice for reading aloud or early reading alone. On the rear endpapers, the nursery rhyme has been adapted to celebrate “Lola, Lola, Extraordinary.”
It’s gratifying to see Lola’s love of books leading her to new experiences. (Picture book. 3-6)Pub Date: Aug. 5, 2014
ISBN: 978-1-58089-694-8
Page Count: 28
Publisher: Charlesbridge
Review Posted Online: June 9, 2014
Kirkus Reviews Issue: July 1, 2014
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