A quietly sublime depiction of a child at play by the sea.

READ REVIEW

BEACH FEET

From the Being in the World series , Vol. 2

In this newest installment in the Being in the World series, Japanese collaborators Konagaya and Saito offer a lovely account of a day in the life of a child at the beach.

Cover art depicts pudgy toes scrunching down into the sand, and the book opens to a first-person, stream-of-consciousness text detailing the child’s seaside experience. It’s never clear whether this child is a boy or a girl, but this doesn’t matter, as from page to page those feet from the cover art feel the heat of sun-baked sand, the coolness of the ocean waters and the hard pressure of a seashell underfoot. Succinct, moment-by-moment narration delivers the child’s experiences in brief snippets of text that exult in the sensuous experiences of the surroundings. Throughout, Saito’s pastel illustrations make the most of cool and warm shades to convey the juxtaposition of water and sand and sun, while spontaneous linework depicts the exuberance of the child’s movements and the ebb and flow of the sea. Together, words and pictures combine to create a slice-of-life picture book that is more about setting than character and less a story than it is a mood piece.

A quietly sublime depiction of a child at play by the sea. (Picture book. 2-6)

Pub Date: June 1, 2012

ISBN: 978-1-59270-121-6

Page Count: 32

Publisher: Enchanted Lion Books

Review Posted Online: April 25, 2012

Kirkus Reviews Issue: May 15, 2012

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It’s gratifying to see Lola’s love of books leading her to new experiences.

LOLA PLANTS A GARDEN

From the Lola & Leo series

Hoping to have a garden like the one in her poetry book, Lola plants seeds, waits and weeds, and finally celebrates with friends.

The author and illustrator of Lola Loves Stories (2010) and its companion titles take their appealing character outside. Inspired by her favorite poem, the nursery rhyme “Mary, Mary, Quite Contrary” (repeated on the front endpapers), Lola chooses her favorite flowers from library books. Helped by her parents, she grows a grandly diverse flower garden, just right for a celebration with peas and strawberries from the family plot. Beardshaw’s acrylic illustrations show her garden in all its stages. They also show the copper-toned preschooler reading on her mother’s lap, making a flower book, a beaded string with bells and shells, a little Mary Mary doll and cupcakes for the celebration. Her bunchy ponytails are redone, and her flower shirt is perfect for the party. Not only has she provided the setting; she makes up a story for her friends. The simple sentences of the text and charming pictures make this a good choice for reading aloud or early reading alone. On the rear endpapers, the nursery rhyme has been adapted to celebrate “Lola, Lola, Extraordinary.”

It’s gratifying to see Lola’s love of books leading her to new experiences. (Picture book. 3-6)

Pub Date: Aug. 5, 2014

ISBN: 978-1-58089-694-8

Page Count: 28

Publisher: Charlesbridge

Review Posted Online: June 10, 2014

Kirkus Reviews Issue: July 1, 2014

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A quiet, warm look at the bond between grandfather and grandson.

MAX AND THE TAG-ALONG MOON

After a visit, an African-American grandfather and grandson say farewell under a big yellow moon. Granpa tells Max it is the same moon he will see when he gets home.

This gently told story uses Max’s fascination with the moon’s ability to “tag along” where his family’s car goes as a metaphor for his grandfather’s constant love. Separating the two relatives is “a swervy-curvy road” that travels up and down hills, over a bridge, “past a field of sleeping cows,” around a small town and through a tunnel. No matter where Max travels, the moon is always there, waiting around a curve or peeking through the trees. But then “[d]ark clouds tumbled across the night sky.” No stars, no nightingales and no moon are to be found. Max frets: “Granpa said it would always shine for me.” Disappointed, Max climbs into bed, missing both the moon and his granpa. In a dramatic double-page spread, readers see Max’s excitement as “[s]lowly, very slowly, Max’s bedroom began to fill with a soft yellow glow.” Cooper uses his signature style to illustrate both the landscape—sometimes viewed from the car windows or reflected in the vehicle’s mirror—and the expressive faces of his characters. Coupled with the story’s lyrical text, this is a lovely mood piece.

A quiet, warm look at the bond between grandfather and grandson. (Picture book. 4-6)

Pub Date: June 13, 2013

ISBN: 978-0-399-23342-5

Page Count: 32

Publisher: Philomel

Review Posted Online: March 13, 2013

Kirkus Reviews Issue: April 1, 2013

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