Next book

PLAYING THE WITCH CARD

A complex tale about motherhood and witchcraft with an exasperating protagonist.

Three generations of witches summon their powers from tarot cards or, in some cases, cookies. 

With just five days to go before Halloween, Flair Hardwicke couldn't feel less enthusiastic about the holiday spirit oozing out of every inhabitant of Rattleboro, Kansas. If anything, Flair is counting the days until Nov. 1, the "least-witchy day of the year" and the day when her magical heritage would remain blissfully hidden. Like her mother and grandmother before her, Flair has the ability to perform magic by reading a particular deck of tarot cards. Hand-painted by a Hardwicke ancestor and "fused with all the magic of generations of witches," these cards answer only to Flair. She hasn't seen the deck in almost 30 years, not since she stole them and hid them from her tarot-obsessed mother and gave up magic for good. But since her grandmother Marie's recent passing, Flair and her 13-year-old daughter, Lucie, have returned to Rattleboro in hopes of a new beginning, one without her cheating ex, David. Lucie would rather be anywhere than her mother's hometown, but to Flair, Rattleboro looks just the way she left it, although she can't help but notice a strange undercurrent running through town. One night, she unconsciously bakes a batch of Hardwicke tarot card cookies, and Rattleboro's Halloween festival director Renee Oakes can't seem to stop giving her threatening stares. Renee's mother, Loretta, might even know the Hardwicke family secret, though her son (and Flair's high school fling), Jude, appears none the wiser. Just when these spooky happenings begin to feel more sinister, Flair's mother, Cynthia, turns up with a bewitched David in tow...and the stash of hidden cards. Dell'Antonia's third novel is full of mysterious and eerie plot twists, and most chapters end with a low-stakes cliffhanger. However, Flair's unwillingness to listen to anyone creates too many frustrating moments of miscommunication and situations that could have been avoided, and Renee's constant irritation with her might echo the reader's own sentiments.

A complex tale about motherhood and witchcraft with an exasperating protagonist. 

Pub Date: Sept. 12, 2023

ISBN: 9780593713792

Page Count: 352

Publisher: Putnam

Review Posted Online: July 13, 2023

Kirkus Reviews Issue: Aug. 1, 2023

Awards & Accolades

Likes

  • Readers Vote
  • 29


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 29


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 411


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 411


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Close Quickview