A complex tale about motherhood and witchcraft with an exasperating protagonist.
Three generations of witches summon their powers from tarot cards or, in some cases, cookies.
With just five days to go before Halloween, Flair Hardwicke couldn't feel less enthusiastic about the holiday spirit oozing out of every inhabitant of Rattleboro, Kansas. If anything, Flair is counting the days until Nov. 1, the "least-witchy day of the year" and the day when her magical heritage would remain blissfully hidden. Like her mother and grandmother before her, Flair has the ability to perform magic by reading a particular deck of tarot cards. Hand-painted by a Hardwicke ancestor and "fused with all the magic of generations of witches," these cards answer only to Flair. She hasn't seen the deck in almost 30 years, not since she stole them and hid them from her tarot-obsessed mother and gave up magic for good. But since her grandmother Marie's recent passing, Flair and her 13-year-old daughter, Lucie, have returned to Rattleboro in hopes of a new beginning, one without her cheating ex, David. Lucie would rather be anywhere than her mother's hometown, but to Flair, Rattleboro looks just the way she left it, although she can't help but notice a strange undercurrent running through town. One night, she unconsciously bakes a batch of Hardwicke tarot card cookies, and Rattleboro's Halloween festival director Renee Oakes can't seem to stop giving her threatening stares. Renee's mother, Loretta, might even know the Hardwicke family secret, though her son (and Flair's high school fling), Jude, appears none the wiser. Just when these spooky happenings begin to feel more sinister, Flair's mother, Cynthia, turns up with a bewitched David in tow...and the stash of hidden cards. Dell'Antonia's third novel is full of mysterious and eerie plot twists, and most chapters end with a low-stakes cliffhanger. However, Flair's unwillingness to listen to anyone creates too many frustrating moments of miscommunication and situations that could have been avoided, and Renee's constant irritation with her might echo the reader's own sentiments.
A complex tale about motherhood and witchcraft with an exasperating protagonist.Pub Date: Sept. 12, 2023
ISBN: 9780593713792
Page Count: 352
Publisher: Putnam
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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