The secret is out; a teenage sleuth makes a welcome debut on the crime scene.
In this mystery, an aunt’s deathbed confession compels a high schooler to turn up the heat on a cold case.
Officer Donnie Ray Carr, 26, disappeared without a trace in 1943. Eight years later, “barely seventeen” Gracie Dawson receives shocking news at her Aunt Clara’s hospital deathbed. First, she is told she has a heretofore undisclosed cousin, a little boy. Second, someone named William killed Carr. As to the former, Clara begs, “Find my little boy, Gracie.” As to the latter, all Clara will cryptically say is “Norton Train Station, September 1943.” Gracie’s father happens to be named William; he cheated on her mother, leading to a nasty divorce. But Clara has left everything to Gracie, including her “stupefying secrets,” and so the teen is determined to do right by her. With the help of her boyfriend, Obie Sayer, whose father is the local police chief and who hopes to assume that role someday, she turns amateur sleuth. She visits the Norton Train Station, where Gracie learns somebody left an infant in 1943. Clara is identified as the mother. But who is the father? And is the baby’s paternity connected to Carr’s disappearance? Gracie and Obie’s “after-death meddling” yields a hidden suitcase that contains a birth certificate identifying the illegitimate boy’s father: William Avery Dollarhide, a state senator who’s on “top of the heap” as part of the local foundry empire. McCall reveals this early on, which may frustrate armchair detectives. But this well-written small-town noir is a brisk read that should captivate both YA readers for its plucky teenage hero as well as adults with a penchant for crime stories that revolve around shadowy figures in high places. In this series opener, Gracie is a believable and empathetic character. She is much like Teresa Wright in Alfred Hitchcock’s film Shadow of a Doubt,who discovers, as Gracie puts it, “there’s such a wideness to the world.” Gracie is in over her head but in thrall to the thrill of having been entrusted with her aunt’s confession: “Of course, I don’t really know anything but the idea gives me goosebumps all the same.”
The secret is out; a teenage sleuth makes a welcome debut on the crime scene.Pub Date: N/A
ISBN: 978-1-73755-530-8
Page Count: 158
Publisher: JJ Publishers, LLC
Review Posted Online: Feb. 10, 2022
Review Program: Kirkus Indie
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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