The secret is out; a teenage sleuth makes a welcome debut on the crime scene.
In this mystery, an aunt’s deathbed confession compels a high schooler to turn up the heat on a cold case.
Officer Donnie Ray Carr, 26, disappeared without a trace in 1943. Eight years later, “barely seventeen” Gracie Dawson receives shocking news at her Aunt Clara’s hospital deathbed. First, she is told she has a heretofore undisclosed cousin, a little boy. Second, someone named William killed Carr. As to the former, Clara begs, “Find my little boy, Gracie.” As to the latter, all Clara will cryptically say is “Norton Train Station, September 1943.” Gracie’s father happens to be named William; he cheated on her mother, leading to a nasty divorce. But Clara has left everything to Gracie, including her “stupefying secrets,” and so the teen is determined to do right by her. With the help of her boyfriend, Obie Sayer, whose father is the local police chief and who hopes to assume that role someday, she turns amateur sleuth. She visits the Norton Train Station, where Gracie learns somebody left an infant in 1943. Clara is identified as the mother. But who is the father? And is the baby’s paternity connected to Carr’s disappearance? Gracie and Obie’s “after-death meddling” yields a hidden suitcase that contains a birth certificate identifying the illegitimate boy’s father: William Avery Dollarhide, a state senator who’s on “top of the heap” as part of the local foundry empire. McCall reveals this early on, which may frustrate armchair detectives. But this well-written small-town noir is a brisk read that should captivate both YA readers for its plucky teenage hero as well as adults with a penchant for crime stories that revolve around shadowy figures in high places. In this series opener, Gracie is a believable and empathetic character. She is much like Teresa Wright in Alfred Hitchcock’s film Shadow of a Doubt,who discovers, as Gracie puts it, “there’s such a wideness to the world.” Gracie is in over her head but in thrall to the thrill of having been entrusted with her aunt’s confession: “Of course, I don’t really know anything but the idea gives me goosebumps all the same.”
The secret is out; a teenage sleuth makes a welcome debut on the crime scene.Pub Date: N/A
ISBN: 978-1-73755-530-8
Page Count: 158
Publisher: JJ Publishers, LLC
Review Posted Online: Feb. 10, 2022
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
High-concept and highly entertaining.
Fiction writers compete to finish a famous author’s abandoned novel.
Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.
High-concept and highly entertaining.Pub Date: April 7, 2026
ISBN: 9780063444614
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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