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SET APART

A well-paced, attention-grabbing mystery that explores universal health care.

Awards & Accolades

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A debut thriller shines a spotlight on the potential for abuse in a national health care system.

McCall’s book centers on two siblings. Gordon Sand is a missing-persons detective in the Washington, D.C., Metropolitan Police Department’s Second District. Ada Sand, his sister, is an information systems specialist at the Department of Health and Human Services, much like the author herself was. Ada’s star has been on the rise during the preparations for the national health system called Americare, a priority of the new U.S. president, Dale Durham. The siblings split their time between Washington and bucolic Dorsey, Pennsylvania, where their doctor brother, David, and his family settled, next door to the Benedicts, a German Baptist clan. But Gordon’s and Ada’s worlds are destined to collide. That’s because Americare favors the rich and powerful through its tier system. Even worse, Americare’s leaders contract with an ex-soldier to kidnap well-matched citizens for body parts in order to keep sick Tier 1 VIPs alive. Based on the techniques used by this “Taker,” Gordon sees connections among seemingly random abductions, although Ada and his partner, Scottie Davenport, are skeptical. Then the Taker targets a Sand family member. Will Gordon and company expose Americare’s secrets? Using the guise of a mystery, McCall asks hard questions about the specifics of a national health care plan. Will it be equally available to all citizens? Or will those who are considered to have contributed more to society gain priority access? The author examines the latter option by creating a nightmare scenario in which ordinary people are sacrificed to keep the mighty and their families alive. Those just plain folks also end up waiting long months for “elective” surgeries that could enhance their quality of life. McCall has created likable characters in the extended Sand family as well as a nasty group of conniving health care bureaucrats. Particularly intriguing are the Benedicts, who live a simple lifestyle much like the Amish. Ultimately, McCall’s novel is an enjoyable blend of thriller, character study, and think piece.

A well-paced, attention-grabbing mystery that explores universal health care.

Pub Date: March 14, 2019

ISBN: 978-0-9845589-4-0

Page Count: 296

Publisher: JJ Publishers

Review Posted Online: Nov. 19, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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