A high-interest read for its exploration of complex topics without simple answers.

WORDS WE DON'T SAY

After the death of a friend, a teenage boy struggles to move on and open himself up to others in this debut novel.

High school junior Joel Higgins volunteers at a soup kitchen every Wednesday, in part to fulfill his community service requirement and in part to spend time with Eli, the girl he’s loved since seventh grade. Unlike Joel, Eli believes in God—and also that she can fix anything if she tries hard enough. Instead of telling Eli or anyone else about his feelings, Joel writes—but doesn’t send—text messages on his phone to Eli; his best friend, Andy, who died of leukemia last year; and their school’s principal. Through his messages, Joel declares his love and struggles for solutions to the problems that weigh on him. When he meets Rooster, a homeless veteran with PTSD, Joel’s obsession with helping him leads him down an irreversible path of progressively greater challenges. Written in first person interspersed with a series of text messages, Joel’s distinctive voice gives personality to the narration. Reilly delves into themes of poverty, mental illness, religion, censorship, and safe spaces. More than once, while holding a gun, Joel contemplates death. Despite the tough topics, the resolution leaves room for hope and growth. Main characters are white, and the book follows a white default.

A high-interest read for its exploration of complex topics without simple answers. (Fiction. 14-17)

Pub Date: Oct. 2, 2018

ISBN: 978-1-368-01633-9

Page Count: 288

Publisher: Disney-Hyperion

Review Posted Online: June 24, 2018

Kirkus Reviews Issue: July 15, 2018

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Full of drama, emotional turmoil, and high stakes.

FIREBORNE

From the Aurelian Cycle series , Vol. 1

What happens to the world after the dust from a revolution has settled?

Friends Annie and Lee were children from very different circles when Atreus killed Lee’s father, dragonlord Leon Stormscourge, ending the uprising on the bloodiest day in Callipolis’ history. For too long the dragonriders held all the power while their people starved and lived in fear. Nine years later, a new generation of dragonriders is emerging, children selected and trained on merit, not bloodlines. Their dragons are finally mature enough for them to compete for Firstrider, a position of power that can give Lee back a small part of what his family lost. However, not only is Lee competing against Annie, but rumors are circulating that some of the royal family have survived and have dragons of their own. Everyone will have to make a choice: Restore the old regime, support the First Protector and the new caste system he created, or look for a new way, no matter what the cost. From the beginning, this book pulls readers in with political intrigue and action. What keeps them invested, however, are the complex relationships between many cast members. Choices are complex, and the consequences for all could be deadly. The world is well fleshed out and believable. Annie and Lee are light skinned; secondary characters are diverse, and race is a nonissue in this world.

Full of drama, emotional turmoil, and high stakes. (author’s note) (Fantasy.14-17)

Pub Date: Oct. 15, 2019

ISBN: 978-0-525-51821-1

Page Count: 448

Publisher: Putnam

Review Posted Online: July 24, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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“Cinderella” but with genocide and rebel plots.

ASH PRINCESS

From the Ash Princess series , Vol. 1

The daughter of a murdered queen plots to take back what is hers.

With her country seized and her mother, the Fire Queen of Astrea, murdered by invaders when she was only 6 years old, Theodosia has been a prisoner for 10 years, stripped of her crown, her people enslaved. Theo (renamed Thora by her captors) is at the mercy of the Kaiser—the fearsome ruler of the Kalovaxians—enduring his malicious whims in order to survive. But when the Kaiser forces Theo to execute her own father, survival is no longer good enough, and she finally takes up the mantle of queen to lead her people’s rise to resistance in a land saturated in elemental magic. Debut author Sebastian has invigorated some well-worn fantasy tropes (a displaced heir, an underground rebellion, and a love triangle that muddies the distinctions between enemies and allies), delivering a narrative that crackles with political intrigue, powerful and debilitating magic, and the violent mechanisms of colonization even as it leaves sequel-primed gaps. Some details—like Theo’s crisis of identity and Hamletian indecision—work well to submerge readers in a turbulent and enthralling plot; others, like racialized descriptions that fall short of actual representation (Atreans are dark-haired and olive-skinned, Kalovaxians are blond and pale-skinned) and the use of magic-induced madness for narrative shock and awe feel lazy and distracting among more nuanced elements.

“Cinderella” but with genocide and rebel plots. (Fantasy. 14-17)

Pub Date: April 24, 2018

ISBN: 978-1-5247-6706-8

Page Count: 432

Publisher: Delacorte

Review Posted Online: April 3, 2018

Kirkus Reviews Issue: April 15, 2018

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