A glum, low-concept, diffusely plotted procedural that’s much more disturbing scene by scene than as the rather lumpy whole...

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FAITHLESS

Dahl, content to go by his initials in the English translations of his earlier Norwegian procedurals (Lethal Investments, as K.O. Dahl, 2012, etc.), unfurls his full name in signing his seventh.

If only Inspector Frank Frølich enjoyed the same success with women that he does in his job on the Violent Crimes and Sexual Offenses squad of the Oslo Police. As it is, the man is as poisonous to women as they are to him. When he goes to the 40th birthday party of sewage engineer Karl Anders Fransgård, his happiness at meeting his old classmate’s fiancee is seriously muted by the fact that he’d just arrested Veronika Undset for cocaine possession the night before. Frølich is frustrated as well as taken aback, because he’d pulled in Veronika only as a way to put pressure on her to talk about her meeting with her own classmate Kadir Zahid, a person of interest. The attempt failed, and Veronika walked out of jail in plenty of time to attend her fiance’s party and then get murdered in an exceptionally brutal manner that casts suspicion on none other than Karl Anders. Her death puts the skids on whatever romantic relationship Frølich may have sought with her friend Janne Smith, the come-hither accountant who sat with him at the birthday party. Instead of making time with her, Frølich ends up joining his colleagues in nosing out possible links between Veronika’s murder and the disappearance of recently arrived Ugandan student Rosalind M’Taya; the death of Signe Strand, killed in similar fashion in 2006; and the much more recent murder of Sivert Almeli, a librarian who was evidently stalking and photographing Veronika with her knowledge and consent.

A glum, low-concept, diffusely plotted procedural that’s much more disturbing scene by scene than as the rather lumpy whole it appears to be in the rearview mirror.

Pub Date: Sept. 1, 2017

ISBN: N/A

Page Count: 276

Publisher: Orenda Books/Trafalgar

Review Posted Online: June 20, 2017

Kirkus Reviews Issue: July 1, 2017

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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