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THE KING'S GOLDEN BEARD

A deeply satisfying allegorical tale.

An arrogant king with a long, golden beard meets his demise thanks to his own vanity.

Set “a long long time ago, when most people still believed the earth was flat as a pancake,” this biting political commentary from Belgium features a megalomaniacal king so in love with his flowing beard that he establishes certain laws: It must never be trimmed, and others’ facial hair is forbidden—even the goats must be shaved daily. Growing so long, his beard makes its way around the world and back to the king, where no one recognizes it as the king’s. Ordering his guards to cut to pieces the owner of the beard (“After all, the law was the law”), the king perishes with the snip of “a pinchy pair of nail scissors,” one of the story’s moments of delightful alliteration. (Clearly, Verplancke isn’t afraid of a little implied gore.) The serpentine line of the king’s beard, on a palette of teal and mustard hues, propels this story, and the beard is so finely detailed that one can see nearly every hair. Readers never see the king’s face in its entirety; it’s his blond beard that looms large. Verplancke, who also designed the book, gets playful with font and weight of type (often to accentuate the king’s ego and his demands) and perspectives; more than once, readers turn the book sideways or upside down to follow the king’s beard across the planet. Townsfolk and guards are depicted in varying shades, many not natural. (This book was reviewed digitally with 11.5-by-19-inch double-page spreads viewed at 75% of actual size.)

A deeply satisfying allegorical tale. (Picture book. 4-10)

Pub Date: March 31, 2021

ISBN: 978-1-66265-039-0

Page Count: 48

Publisher: Maria Russo/Minedition

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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