Substantially rewritten, expanded and retranslated, this volume supersedes the late actor's 1989 All I Need Is Love. Kinski, who died in 1991, had a richly deserved reputation as one of the bad boys of European cinema, a volatile personality both on screen and off. Kinski offers vivid recollections of a horrific childhood. Born in 1926, he grew up in Danzig in suffocating poverty, his father a failed pharmacist who couldn't support his wife and four children. At 16 Kinski found himself drafted into the Wehrmacht as as a battered Germany threw adolescents into battle in a last-ditch attempt to stave off defeat. Kinski deserted repeatedly and ended up a British POW. When he was released, he returned to Germany, where in a desultory fashion he began to pursue a career in theater. Eventually, he developed a reputation as an enfant terrible of considerable talent and graduated to film work. He worked his way through three wives, having one child by each (including his famous daughter, Nastassja). The overwhelming majority of the book's pages are devoted to a seemingly endless string of sexual experiences: Kinski has sex with virtually every woman he meets. He even has a heated encounter with his sister. Unfortunately, he lacks the pornographic imagination and richly inventive language of Henry Miller, who seems to hover over Kinski's shoulder. The actor repeatedly collapses into sentimental clichÇ, straining for richer metaphor but to no avail. Moreover, he uses this autobiography as an opportunity to heap abuse on nearly everyone he ever worked with. Combine a monstrously huge ego (Kinski compares himself, favorably, to Jesus Christ) with an endless catalog of couplings, and the result is a dully repetitive and ultimately repellent reading experience.
Pub Date: Aug. 1, 1996
ISBN: 0-670-86744-6
Page Count: 322
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1996
Smart hopes that sharing her story might help heal the scars of others, though the book is focused on what she suffered...
The inspirational and ultimately redemptive story of a teenage girl’s descent into hell, framed as a parable of faith.
The disappearance of 14-year-old Elizabeth Smart in 2002 made national headlines, turning an entire country into a search party; it seemed like something of a miracle when she reappeared, rescued almost by happenstance, nine months later. As the author suggests, it was something of a mystery that her ordeal lasted that long, since there were many times when she was close to being discovered. Her captors, a self-proclaimed religious prophet whose sacraments included alcohol, pornography and promiscuous sex, and his wife and accomplice, jealous of this “second wife” he had taken, weren’t exactly criminal masterminds. In fact, his master plan was for similar kidnappings to give him seven wives in all, though Elizabeth’s abduction was the only successful one. She didn’t write her account for another nine years, at which point she had a more mature perspective on the ordeal, and with what one suspects was considerable assistance from co-author Stewart, who helps frame her story and fill in some gaps. Though the account thankfully spares readers the graphic details, Smart tells of the abuse and degradation she suffered, of the fear for her family’s safety that kept her from escaping and of the faith that fueled her determination to survive. “Anyone who suggests that I became a victim of Stockholm syndrome by developing any feelings of sympathy for my captors simply has no idea what was going on inside my head,” she writes. “I never once—not for a single moment—developed a shred of affection or empathy for either of them….The only thing there ever was was fear.”
Smart hopes that sharing her story might help heal the scars of others, though the book is focused on what she suffered rather than how she recovered.Pub Date: Oct. 7, 2013
ISBN: 978-1-250-04015-2
Page Count: 320
Publisher: St. Martin's
Review Posted Online: Oct. 27, 2013
Kirkus Reviews Issue: Nov. 15, 2013
A captivating, redemptive chronicle of a year in which Smith looked intently into the abyss.
This chronicle of a chaotic year filled with deep losses and rich epiphanies finds the writer and performer covering a whole lot of ground.
In terms of the calendar, Smith’s latest memoir has a tighter focus than its predecessors, M Train (2015) and Just Kids (2010), which won the National Book Award. The titular year is 2016, a year that would begin just after the author turned 69 and end with her turning 70. That year, Smith endured the death of her beloved friend Sandy Pearlman, the music producer and manager with whom she would “have coffee at Caffé Trieste, peruse the shelves of City Lights Bookstore and drive back and forth across the Golden Gate listening to the Doors and Wagner and the Grateful Dead”; and the decline of her lifelong friend and kindred spirit Sam Shepard. She held vigil for Pearlman at his hospital deathbed, and she helped Shepard revise his final manuscript, taking dictation when he could no longer type. Throughout, the author ponders time and mortality—no surprise considering her milestone birthday and the experience of losing friends who have meant so much to her. She stresses the importance of memory and the timeless nature of a person’s spirit (her late husband remains very much alive in these pages as well). Seeing her own reflection, she thinks, “I noticed I looked young and old simultaneously.” She refers to herself as the “poet detective,” and this particular year set her on a quixotic quest, with a mysterious companion unexpectedly reappearing amid a backdrop of rock touring, lecture touring, vagabond traveling, and a poisonous political landscape. “I was still moving within an atmosphere of artificial brightness with corrosive edges,” she writes, “the hyperreality of a polarizing pre-election mudslide, an avalanche of toxicity infiltrating every outpost.”
A captivating, redemptive chronicle of a year in which Smith looked intently into the abyss.Pub Date: Sept. 24, 2019
ISBN: 978-0-525-65768-2
Page Count: 192
Publisher: Knopf
Review Posted Online: June 24, 2019
Kirkus Reviews Issue: July 15, 2019
SEEN & HEARD
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