An absorbing study of sexual enthrallment, dogged police work and a harrowing twist or two: Fans of procedurals and...
The American debut of Oslo police inspector Frank Frølich, who succumbs to sexual obsession.
In the course of a routine store shootout, Frølich rescues Elisabeth Faremo. He’s mesmerized by her blue eyes and even more entranced when she appears, uninvited, sitting cross-legged in her undies in his living room. But Elisabeth is cagey, never revealing much about herself. So it’s up to Frølich to uncover the facts: that she also has a lesbian lover and that her brother Jonny is part of a gang responsible for killing a security guard. Then Jonny drowns; Elisabeth’s girlfriend is attacked and commits suicide; and bones found in a burned-out chalet retreat indicate that someone has killed Elisabeth. Put on leave because of his past relationship with Elisabeth, Frølich antagonizes his former associate Gunnarstrada by gnawing at the connected crimes until he comes face-to-face with a billionaire as obsessed with a Bellini painting as Frølich is with Elisabeth. Two attacks—one involving a motorcycle, the other a sauna—don’t deter Frølich, who soldiers on, ultimately piecing together what lay behind those enchanting blue eyes.
An absorbing study of sexual enthrallment, dogged police work and a harrowing twist or two: Fans of procedurals and prurience will snap this one up.Pub Date: March 18, 2008
ISBN: 978-0-312-37569-0
Page Count: 288
Publisher: Dunne/Minotaur
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2007
BOOK REVIEW
Fans of Gillian Flynn and Paula Hawkins will find this comfortingly familiar despite (or maybe because of?) the shocks and...
In Pinborough’s (Behind Her Eyes, 2018, etc.) twisty, decade-spanning, multivoiced thriller, everyone has secrets: teenager Ava; her mom, Lisa; and Lisa’s best friend, Marilyn.
On the surface, all three women fulfill the roles expected of them, and they support and love one another, but they don’t truly know each other. Ava, a competitive swimmer, is finishing up her exams and sneaking around with her first boyfriend while overly protective mom Lisa is about to clinch a big contract at work—and maybe even go on a date with a handsome millionaire client. Marilyn has been dealing with headaches at home, but she’s still game for a shopping trip to outfit Lisa for that big date. Soon, however, they will discover that someone else in their lives has a secret much darker than any they carry. This person is a murderer who is stalking a childhood friend who, they believe, betrayed their deepest trust. There are a lot of plot twists and reveals within the novel, some of which are surprising, some of which are expected. Pinborough weaves several different time periods and several different narrative voices to create layers of character and conflict, but the characters are types often found in psychological thrillers, and while their problems are often relatable, at least at first, they aren’t particularly engaging. It’s clear which decisions, and which silences, are going to get them into trouble, and yet, as people do, they carry on anyway. The one element that sets Pinborough’s novel apart from the slew of similar thrillers is the emphasis on female empowerment and the power of female relationships. These women need no one to save them, no knights in shining armor or handsome cops. As Marilyn succinctly puts it, “Fuck. That. Shit.”
Fans of Gillian Flynn and Paula Hawkins will find this comfortingly familiar despite (or maybe because of?) the shocks and turns along the way.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-285679-1
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
This one has it all: sexual predation, financial skulduggery, reluctant heroism, even the power of social media.
A compelling, complex thriller as modern as tomorrow.
Mina (The Long Drop, 2017, etc.) leaves historical Glasgow and sets this crackling tale in the very moment. Sophie Bukaran is living as Anna McDonald; she's hidden herself in Glasgow, in marriage to a lawyer, in being mother to two girls. Then one November morning, between episodes of a true-crime podcast called Death and the Dana, her life "explode[s]." Her best friend, Estelle, is at the door, and Anna's husband reveals that he and Estelle are lovers and they're leaving with the girls. Anna considers suicide, but the podcast distracts her. Leon Parker and his family have died aboard the Dana, and the ship's cook has been convicted. The podcast asserts that the cook could not be guilty and the deaths were the result of a murder-suicide committed by Parker. But Anna knew Leon Parker and feels he could not be the culprit, so she decides to try to learn more about his fate. When Estelle's anorexic and feckless husband, Fin, a minor rock-and-roll celebrity, appears at her door, he is caught up in her decision, and they eventually create a companion podcast that details their explorations. But in the process Anna and Fin are photographed and the pictures posted online, so Anna's quest becomes entwined with threats to Sophie Bukaran's life. Years earlier Sophie was raped by members of a beloved football team, and her accusations threatened the team's reputation and value. When the only corroborator of her testimony was silenced, Sophie was discredited in the usual manner: Her morals were questionable, she was possibly drunk, she was seeking money. Dismissed and subjected to public vilification, Sophie disappeared. But a new witness has come forward and could confirm Sophie's accusations, and her reappearance again threatens a financial empire. As Fin's podcast becomes wildly popular and he and Anna begin to unravel the mystery of Leon Parker's death, the assassins seeking Sophie close in.
This one has it all: sexual predation, financial skulduggery, reluctant heroism, even the power of social media.Pub Date: June 25, 2019
ISBN: 978-0-316-52850-4
Page Count: 384
Publisher: Mulholland Books/Little, Brown
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
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