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BECOMING SISTER WIVES

THE STORY OF AN UNCONVENTIONAL MARRIAGE

A different take on married life, of broader interest because of the issue of same-sex marriage and Mitt Romney's membership...

A behind-the-scenes look at the life of a celebrity polygamist family.

The authors, Kody Brown and his wives (Meri, Janelle, Christine and Robyn) tell their story sequentially, writing alternating chapters in each of the five parts. They begin with Kody's first (and only legal) marriage to Meri in 1990, and then describe how the couple brought the next two sister wives, Christine and Robyn into their family. This provides the back story to the real-life drama featured on their popular reality TV show, Sister Wives. After the first episodes aired, the family fled from Utah to Las Vegas to avoid threatened legal prosecution for bigamy. The authors explain that they are members of a Mormon sect that subscribes to all the tenets of the mainstream Church of Jesus Christ of Latter-day Saints—plus one more: “the principle of celestial plural marriage,” which is sanctified by a church ceremony. Readers hoping to find out more about the Mormon faith in general will be disappointed, and the authors are clear to distinguish their faith from that of the Fundamentalist LDS, which was led by convicted child molester Warren Jeffs. The authors do not explain the specific spiritual issues underlying their decision to embrace polygamy. They write movingly about their decision to reject the secrecy imposed on polygamous families, the new strains of their celebrity situation, the inevitable problems inherent in their marital situation, and the joys of raising 17 children. Sister Wives has finished its fourth season amid rumors of a fifth marriage and lawsuit against Utah by the family.

A different take on married life, of broader interest because of the issue of same-sex marriage and Mitt Romney's membership in the LDS.

Pub Date: May 1, 2012

ISBN: 978-1-4516-6121-7

Page Count: 290

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: July 31, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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