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MONSTER

THE AUTOBIOGRAPHY OF AN L.A. GANG MEMBER

LÇon Bing's study of L.A. gangs, Do or Die (1991) featured on its cover an awesomely muscular African-American male, naked to the waist, wearing sunglasses and wielding an automatic weapon. That man was ``Monster'' Kody Scott, who here tells his electrifying life story: an angry, stunningly violent odyssey through gang warfare and prison to redemption. The acknowledgements page reveals Scott's continued wrath: ``Bullet-proof love is extended to Muhammad Abdullah and the Islamic Liberation Army...Teflon bullets are sent to the sell- outs.'' Scott is still fighting, only now for the New Afrikan Independence Movement, dedicated to creating a separate black nation. But, then, the author has always been at war: Drafted at age 11 into a ``set'' of the ``ghastly gang army'' of the L.A. Crips—an army of ``children gone wild in a concrete jungle''—he shot his first man, a rival Blood, that same year, and for the next 15 years led a life spent defending his set by word, fist, and bullet: ``I liked to see the buckshot eat away their clothing, almost like piranha fish.'' Much of Scott's memoir is a horrifying chronicle of gang combat—shootings, betrayals, retaliations (Scott was shot six times in one ambush)—almost tedious in its unrelenting machismo and bloodshed, made palatable mostly by the author's deep knowledge of gang lore. Eventually, jail stints punctuate the street fighting; finally, in 1983, Scott, behind bars, meets a radical Muslim who teaches him that the real battle is with the white oppressors—a lesson that takes hold in the late 80's in Folsom Prison, where, amid outrageous depravity, Scott renounces ``gangsterism'' to embrace his new struggle. Today, Scott, 29, is back in prison, serving seven years for ``a healthy beating'' he gave to an unrepentant crack dealer. A savage document of the street that gives, and asks, no quarter. Anyone who wants to know why L.A. burned will find the chilling answer here. (First printing of 65,000; first serial rights to Esquire)

Pub Date: June 28, 1993

ISBN: 0-87113-535-3

Page Count: 256

Publisher: Atlantic Monthly

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 15, 1993

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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