Those aficionados who love words and the language or who are big-time Scrabble fans will love this book, while others will...
Strange words and how to find them.
When Stamper first interviewed for a job at Merriam-Webster, she was excited. It was her dream job, and she got it. She was now a practicing lexicographer working at the oldest dictionary publisher in America. These “drudges at their desks” practiced a noble art, part creative process, part science. Her book is a “nitty-gritty, down-and-dirty, worm’s-eye view of lexicography.” Along with other “word nerds,” Stamper writes and edits dictionary definitions, thinks “deeply about adverbs, and slowly, inexorably” goes blind. To be successful, you must, first and foremost, possess something called sprachgefühl, or “a feeling for language.” If you don’t have it, you won’t last six months. Stamper goes into great detail describing the inner workings of how dictionaries come into being, with each chapter focusing on a specific task or topic. She provides a short history of grammar and then spends an entire chapter on how much lexicographers hate the word “irregardless.” The author also covers the history of dictionaries with a special shoutout to “His Cantankerousness,” Samuel Johnson, whose 1755 dictionary set the standard for all future dictionaries. “Bitch” discusses how crude, vulgar, and embarrassing words get included, and other chapters deal with defining, small words, etymology, and pronunciation. And then there’s the reading. After lexicographers answer all kinds of correspondence, they read everything, from magazines to TV dinner boxes to beer bottles and takeout menus. Stamper notes that the internet, which has put many dictionary publishers out of business, must be trolled for new words, too. She loves her work, and her enthusiasm adds a real zest to her tales of usage and the chase for words—e.g., “onymous,” “cromulent,” “vecturist,” and “dope slap.” Look them up.
Those aficionados who love words and the language or who are big-time Scrabble fans will love this book, while others will feel like they’re in over their heads.Pub Date: March 14, 2017
ISBN: 978-1-101-87094-5
Page Count: 320
Publisher: Pantheon
Review Posted Online: Dec. 18, 2016
Kirkus Reviews Issue: Jan. 1, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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