A beautifully told blend of grief, hope, and humor that showcases Higgins at her best.
A woman gets revenge—and a whole new life—when her husband announces he’s leaving her the day before their son graduates from high school.
Lillie Silva is heartbroken that her only son, Dylan, is about to graduate from high school and leave their home in Cape Cod to attend college all the way in Montana. But she knows she’ll still be plenty busy—she has a wonderful job as a nurse midwife, family nearby (even if they have their problems), and, best of all, she’s about to surprise her husband, Brad, with a trip to Europe. But when Brad takes her out to dinner the night before Dylan’s graduation, it’s not to celebrate raising their wonderful son—it’s to tell her he wants a divorce because he’s in love with Melissa Finch, a much younger woman who recently moved to town. Lillie had dreamed of handling her son’s departure by commiserating with the only other person who really understood—but now she’ll be spending all her time alone. With a lot of free time on her hands, Lillie starts playing small pranks on Brad—like, for example, unleashing a skunk in his new home. It’s not all laughs, though—Lillie feels a deep grief over the loss of the life she had, one with a devoted husband, family holidays, and all the little routines she thought would last forever. She also mourns the daughter she delivered stillborn years ago and imagines how much less lonely her life would be if that daughter had lived. As she adjusts to being on her own, Lillie starts to reconnect with people from her past—including her former classmate Ben Hallowell, who was behind the wheel in a car accident that nearly ended Lillie’s life. And when she befriends Ophelia, Melissa’s niece (who lives with her), Lillie realizes that life still has plenty of surprises in store. Higgins manages to address a plethora of tough topics, including infertility and sexual assault, and give them the respect they deserve while also crafting a story that’s full of hope. With a blend of humor and poignancy reminiscent of Nora Ephron’s Heartburn, Lillie’s witty narration never obscures the very real devastation that she feels as the family she loved breaks apart.
A beautifully told blend of grief, hope, and humor that showcases Higgins at her best.Pub Date: June 7, 2022
ISBN: 978-0-593-33532-1
Page Count: 496
Publisher: Berkley
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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