A celebration of Black family life that will make you laugh and cry in equal measure.
A set of linked stories map the lives of a Black family in Louisville, Kentucky, tracing the generational effects of addiction, poverty, and mental illness.
At the heart of the book is the often fraught relationship between mothers and daughters—always complicated but made especially so by the unpredictable and deceitful behaviors typical of those suffering from addiction. Gentry maps the ways an unstable mother can unmoor her daughter, and how a girl’s innocence is dissolved by the imperative to survive and protect her vulnerable mother: “You are starting to realize that you have no solution for your mother’s depression. There is nothing you can say. Nothing you can do. You will never save her.” In “A Satisfying Meal,” the sharp contrast between two families at Thanksgiving provides an insight into not only the wealth disparity of the Black community, but also into various political divides. At the Thompson family’s dinner, everyone is seated and served formally at the table; JayLynn—who's attending for the first time as Nigel Thompson’s girlfriend—is subtly interrogated about her intellectual pursuits at college; and the use of the N-word represents an egregious blasphemy. Meanwhile, at JayLynn’s aunt’s house, where she and Nigel go afterward, family members eat without ceremony, use the N-word freely, and joke around. The absence of JayLynn’s mother and the eventual departure of her aunts to buy drugs draws attention to the relentless mundanity of addiction and depression—and the ways these illnesses impact families. In “A Good Education,” two young men who grew up together reunite, but now one sells the drugs the other's mother is addicted to, seemingly without making the connection: “Your moms is like my moms...I mean...you think she’s using?” In “A New World,” JayLynn’s 16-year-old cousin, Zaria, goes into labor with the baby she'd hoped would deter her mother, Dee, from feeding her addiction, only to have Dee leave the hospital before the baby arrives, going in search of the next high. Gentry steadfastly refuses to reduce her characters to their misery, imbuing them instead with wit, loyalty, and humor.
A celebration of Black family life that will make you laugh and cry in equal measure.Pub Date: Oct. 1, 2023
ISBN: 9781952271984
Page Count: 288
Publisher: West Virginia Univ. Press
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 1, 2023
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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