Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Some fictional trips into 1970s New York abound with nostalgia; this novel memorably opts for grit and heartbreak.
The protagonist of this coming-of-age novel set in late-1970s New York City falls under the wing of an unlikely mentor: Lou Reed.
The Sopranos actor Imperioli’s first novel begins with a family sundered. Narrator Matthew details the death of his estranged father, his mother’s growing dependence on pills, and an inheritance that prompts the two of them to leave the confines of their Queens neighborhood for an upscale apartment in Manhattan. Among their neighbors is Lou Reed, at a point in his life when he rapidly veered from grandiose to paranoid, from generous to menacing. As Matthew comes to terms with his feelings for his classmate Veronica, he becomes increasingly aware of perspectives other than his own, along with a growing restlessness. Early on, Matthew recalls a dinner with a boorish friend of his that quickly turns violent, as he lashes out after his friend makes a number of grotesque and sexist comments. At the beginning of the next chapter, he pauses and then recants his earlier words: “I’m a liar. A liar and a coward.” Imperioli plays with this kind of narrative tension throughout. The arc of the novel—a young man forming a tense, unpredictable bond with a mercurial mentor—is familiar, but Imperioli’s lived-in details about the city help make the world feel realistic. And while some of the novel’s characters, Veronica in particular, call out for more time on the page, the end result is an immersive trip into its narrator’s memories of a turbulent time.
Some fictional trips into 1970s New York abound with nostalgia; this novel memorably opts for grit and heartbreak.Pub Date: April 3, 2018
ISBN: 978-1-61775-620-7
Page Count: 270
Publisher: Akashic
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
BOOK REVIEW
The subject of parents charging past every ethical restraint in pursuit of crème de la crème education could not be more...
Four close friends, their husbands, their children, their housecleaners—and one application-only magnet school that will drive them all over the brink.
A Boulder-esque town in the Front Range of the Rockies, Crystal, Colorado, is a progressive paradise where four entwined families are raising their children, though death, divorce, and drugs have taken their toll on the group since the moms met at baby swim class years back. The women give each other mugs with friendship quotes each year on the anniversary of that meeting, and they get together every Friday morning for a 4-mile run, "a ritual carved into the flinty stone of their lives…shared since they'd first started trimming up again after the births of their children." Beneath the surface, resentments are already simmering—one family is far wealthier than the others; the widowed mom is a neurotic mess; one of the couples didn't make it through elementary school and he's remarried to "a hot young au pair who was great with the twins [and] a willing partner in mindblowing carnality." Then comes the announcement of a public magnet school for exceptional learners, with a standardized test as the first step in separating the wheat from the chaff. The novel's depiction of the ensuing devolution is grounded in acute social observation—class, race, privilege, woke and libertarian politics—then hits the mark on the details as well. From the bellowing of the dads on the soccer field to the oversharing in the teenager's vlog, down to the names of the kids themselves—twins Aidan and Charlie Unsworth-Chaudhury; best friends Emma Z and Emma Q; nerdy chessmaster Xander Frye—Holsinger's (The Invention of Fire, 2015) pitch is close to perfect.
The subject of parents charging past every ethical restraint in pursuit of crème de la crème education could not be more timely, and the Big Little Lies treatment creates a deliciously repulsive and eerily current page-turner.Pub Date: July 2, 2019
ISBN: 978-0-525-53496-9
Page Count: 464
Publisher: Riverhead
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
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