If “being mean…means… // I LOVE YOU!!!” then this kid sure must love her mother. Wouldn’t lots of moms prefer a hug?
A monster enumerates all the ways her mother is mean.
While this blue-skinned child is completely serious in her criticisms of her green-skinned mother, hopefully readers will see similarities to their own moms: Mom wakes the narrator with tickles and coffee breath, waves goodbye at school dropoff, bribes her for conversation, and makes her read books at bedtime (four, not the desired 82). Weirdly, a school-picture-day thread is dropped abruptly in favor of a spelling bee (where Mom cheers). The creators of the podcast #IMOMSOHARD may have their tongues firmly in cheeks, but their child protagonist comes off as an entitled monster. Some adults may find the situations familiar, but few will want this parent-child duo as role models: The child is sassy (“Look, lady, my hands are all busy!”), and the mom is sometimes a doormat (making three breakfasts). Some of the rhymes are rough, and the meter sometimes stumbles. Briggs’ digital illustrations play up the humor in the text while smoothing the rougher edges a bit with a monster cast. Few characters have lifelike skin tones, and all have features that set them apart—varying numbers of appendages or eyes; horns, spines. The girl and her mother share blue hair, horns, and spotted skin; each has two legs and eyes, and the girl has two arms to her mother’s four. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 15% of actual size.)
If “being mean…means… // I LOVE YOU!!!” then this kid sure must love her mother. Wouldn’t lots of moms prefer a hug? (Picture book. 4-8)Pub Date: March 23, 2021
ISBN: 978-0-06-304055-7
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
