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THE DIRTY LIFE

ON FARMING, FOOD, AND LOVE

A hearty, chromatic account of a meaningful accomplishment in farming, “that dirty concupiscent art.”

A freelance writer moves from Manhattan to create an organic farm in upstate New York.

When she met her future husband, Mark, Kimball was working on a story about young farmers going local and organic. The two eventually fell in love, married and moved to Essex, N.Y., to take stewardship of a 500-acre derelict farm, with dreams of making it into a community-funded agricultural project—not just vegetables, but also grain, dairy and meat. Following their utopian vision, they began raising draft horses, milked cows by hand, ran a forge and created their own energy and resources. As Kimball chronicles that first year in supple prose, the farm takes on vivid form, with the frustrations balancing the satisfactions and the dark complementing the light. Throughout the book, the author ably describes the various trials and tribulations involved in building a sugaring sled, treating the cattle for mites, dealing with flies and rats and finding the old-fashioned tools required to work with draft horses—at an auction of Amish implements, which “looked like a ZZ Top tribute band convention, all long beards, dark suits, and shades.” The couple often warred with each other: Kimball is a passive-aggressive disputant, Mark a tenacious arguer, but both think they are right. “I had come to the farm with the unarticulated belief that concrete things were for dumb people and abstract things were for smart people,” writes the author. She soon realized, however, that “there’s no better cure for snobbery than a good ass kicking.” Finally, when the harvest comes, “you feel insanely rich, no matter what you own.”

A hearty, chromatic account of a meaningful accomplishment in farming, “that dirty concupiscent art.”

Pub Date: Oct. 12, 2010

ISBN: 978-1-4165-5160-7

Page Count: 288

Publisher: Scribner

Review Posted Online: July 1, 2010

Kirkus Reviews Issue: Aug. 1, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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