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THE DARKEST WEB

Overplotted and overwrought but as immersive as a serious addiction.

A civil attorney fearful of standing trial for killing her detestable boss sees her only hope in hiring a defense lawyer whose life is nearly as chaotic as her own.

Once the funeral is over, no one in the Charlottesville office of Blackwood, Payne & Vivant, the “unmarked Honda Accord of law firms,” has a nice word to spare for Raymond V. Corrigan Jr., who was shot to death in his office sometime after midnight. When impossibly beautiful Jane Knudsen, a Blackwood associate hungry for a partnership, finds Ray’s body upon her customary pre-dawn arrival, her first reaction is relief at not having to deal with him anymore. That’s swiftly followed by certainty that the police will consider her a prime suspect whether or not she notifies them of her discovery, since everyone at the firm, from managing partner Greg Dombrowski to fellow associates Josh Gardner and Amir Burhan to longtime administrator Irene Robinson, will know better if Jane says she wasn’t there at 6 a.m. Helpless to avoid the glare of suspicion, Jane asks her old UVA law school roommate Allison Barton, who made quite a splash in The Darkest Flower (2021), to defend her. The two were never friends, and their salt-and-pepper relationship is the main attraction in Allie’s second case. But Wright, presenting her story again in alternating chapters, narrated by Allison and her client, also piles on complications, from a poisonous widow to importunate and unwelcome romantic pursuits of both Allison and Jane, from sexual harassment to domestic abuse, from a hidden past to child pornography, until even the most hard-bitten readers will beg, like Jane, for release.

Overplotted and overwrought but as immersive as a serious addiction.

Pub Date: April 12, 2022

ISBN: 978-1-5420-2635-2

Page Count: 319

Publisher: Thomas & Mercer

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE UNKNOWN

This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.

Could making a movie about the disappearance of five women from an island reawaken an evil presence there?

Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”

This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.

Pub Date: Aug. 4, 2026

ISBN: 9798217044092

Page Count: 368

Publisher: Dutton

Review Posted Online: June 1, 2026

Kirkus Reviews Issue: July 1, 2026

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