A wild SF ride—alcohol and family dysfunction not included.
Merbeth’s (Raid, 2017, etc.) latest—the first installment of an SF adventure trilogy—follows a family of smugglers as they unknowingly become entangled in a grand-scale conspiracy that could ignite an interstellar war and kill millions.
It's been three years since Scorpia Kaiser’s older brother, Corvus, left the family business to enlist and fight in a bloody conflict on his war-torn home planet of Titan. But, with Corvus' service officially ended, Scorpia—at the behest of her mother, the Kaiser matriarch—is piloting the family ship, Fortuna, to Titan to reunite her brother with the family. Picking up Corvus wasn’t the only mission, however. Her mother is completing a deal with government officials involving highly illegal alien biological weapons that could potentially end the war. As Corvus, Scorpia, and their siblings wait for their mother to return to the ship, they discover that a cataclysm is sweeping the planet, wiping out entire human populations. Forced to leave their mother behind, the siblings barely escape with their lives. Once safely in space, they realize that their mother has been used to wipe out the population of an entire planet—and that this may just be the beginning of a much larger, and deadlier, conflict. While the storyline is a bit predictable, the narrative is powered by a cast of deeply developed characters. Scorpia, in particular, is impressively multidimensional—a barely functioning alcoholic who has major issues involving her demanding mother. The stoic point of view of Corvus—who has witnessed horrors during the war—complements Scorpia’s more demonstrative narrative and gives the story a nice tonal balance. The nonstop action and varying levels of tension make this an unarguable page-turner, and the ending, while satisfying, is a perfect jumping-off point to another much larger adventure to come.
A wild SF ride—alcohol and family dysfunction not included.Pub Date: Nov. 5, 2019
ISBN: 978-0-316-45399-8
Page Count: 560
Publisher: Orbit
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Even though the cracks are beginning to show, and the sheer narrative power of the superb original series is lacking, Dune...
Third in the Dune prequel series from originator Frank Herbert's son Brian and collaborator Anderson (Dune: House Atreides, 1999, and Dune: House Harkonnen, 2000). Duke Leto Atreides plans to attack planet Ix and drive out the occupying genetic-whiz Tleilaxu, while his concubine Jessica must travel to the imperial capital, Kaitain, to give birth to her child—not the daughter she was ordered to bear by her Bene Gesserit superiors. The Emperor Shaddam grows crueler and less restrained as his conspiracy with the Tleilaxu to develop a synthetic substitute for the miraculous spice “melange” advances. Shaddam's coconspirator Ajidica, the Tleilaxu Master, has tested “amal” on himself and obtained a superhuman brain boost; better still, the imperial Sardaukar troops stationed on Ix are already addicted to amal, so that now they'll obey him rather than the Emperor. The Emperor's agent, Hasimir Fenring, isn't convinced that amal will be an effective substitute for melange and demands more tests. Regardless, Shaddam squeezes the Great Families to reveal their secret spice stockpiles; once equipped with amal, he can destroy planet Arrakis—the sole source of the natural spice—and hold the galaxy to ransom. The plot heads for one of those black-comic moments where everybody's holding a gun to somebody else's head.
Even though the cracks are beginning to show, and the sheer narrative power of the superb original series is lacking, Dune in any guise is as addictive as the spice itself.Pub Date: Oct. 9, 2001
ISBN: 0-553-11084-5
Page Count: 512
Publisher: Spectra/Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wendig is clearly wrestling with some of the demons of our time, resulting in a story that is ambitious, bold, and worthy of...
What if the only way to save humanity was to lose almost everyone?
This was kind of inevitable: Wendig (Vultures, 2019, etc.) wrestles with a magnum opus that grapples with culture, science, faith, and our collective anxiety while delivering an epic equal to Steven King’s The Stand (1978). While it’s not advertised as an entry in Wendig’s horrifying Future Proof universe that includes Zer0es (2015) and Invasive (2016), it’s the spiritual next step in the author’s deconstruction of not only our culture, but the awful things that we—humanity—are capable of delivering with our current technology and terrible will. The setup is vividly cinematic: After a comet passes near Earth, a sleeping sickness takes hold, causing victims to start wandering in the same direction, barring those who spontaneously, um, explode. Simultaneously, a government-built, wickedly terrifying AI called Black Swan tells its minders that a disgraced scientist named Benji Ray might be the key to solving the mystery illness. Wendig breaks out a huge cast that includes Benji’s boss, Sadie Emeka; a rock star who’s a nod to King’s Springsteen-esque Larry Underwood; a pair of sisters—one of whom is part of the “herd” of sleepwalkers and one who identifies as a “shepherd” tending to the sick; and Matthew Bird, who leads the faithful at God’s Light Church and who struggles with a world in which technology itself can become either God or the devil incarnate. Anyone who’s touched on Wendig’s oeuvre, let alone his lively social media presence, knows he’s a full-voiced political creature who’s less concerned with left and right than the chasm between right and wrong, and that impulse is fully on display here. Parsing the plot isn’t really critical—Wendig has stretched his considerable talents beyond the hyperkinetic horror that is his wheelhouse to deliver a story about survival that’s not just about you and me, but all of us, together.
Wendig is clearly wrestling with some of the demons of our time, resulting in a story that is ambitious, bold, and worthy of attention.Pub Date: July 2, 2019
ISBN: 978-0-399-18210-5
Page Count: 800
Publisher: Del Rey
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
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