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DEMIURGE

A full-bodied cast enriches this measured but enthralling tale of resolve and mysterious power.

In Patterson’s fantasy novel, a mystical relic throws a peaceful city and its surrounding lands into upheaval.

Haot-fote is an artisan in the city of Drudunda, a haven founded by people tired of the merciless Red War. Haot-fote is a man of peace and doesn’t fight back when men grab him and pull a burlap sack over his head. They’ve mistaken him for a mage and are certain he’ll know what to do with a “draped object” they’ve discovered. An unexpected animal attack ends in Haot-fote’s escape. He also gets his hands on that object and finds an ally in Terina Torinaous. She’s an assassin and an actual mage who’s wary of using her abilities; spellcasting requires accessing another realm, where an entity of some kind has possessed her. Terina needs help with this situation and seeks aid from Drudunda’s matriarch—Haot-fote’s grandmother. It’s not long before the two learn that the draped object heals wounds, even seemingly fatal ones. When marauders storm Drudunda, Haot-fote’s grandmother sends him away with the relic. He fights to safeguard it from greedy hands and searches for the “originator,” who surely has all the necessary information about this mysterious object. Luckily, he’s got Terina on his side, along with his archer niece, Harps. All the while, soldiers and mages from various cities seek the relic, as well as its “partner,” which has a much darker power. This group includes Drudunda’s guard captain, Firleggs. He and his cousin Haot-fote, both orphaned and raised by their grandmother, are like brothers…but that may not stop Firleggs from leading the charge against his own kin.

Patterson’s deliberately paced novel spotlights a terrific cast and fantasy world. Haot-fote displays impressive skills as an artisan: He carves impeccable designs onto arrows, which are gifted to youngsters as a “significant mark of adulthood.” He and Terina have fascinating societal roles, too; Drudundian males are, unlike Haot-fote, traditionally hunters, while Terina seems to be the first and only female mage. The story introduces quite a number of characters, most of whom showcase distinctive personalities, from the soldiers in Firleggs’ army to a seemingly minor character who becomes integral much later in the novel. Plenty of surprises pop up along the way, including deaths and near deaths, an ostensibly accommodating group of cannibals, and a glimpse of that gloomy realm that mages tap into. Compelling conflicts arise, both externally (clashes between armies) and internally (Harps, though she carries a bow and arrows, wants to live peacefully like her uncle). Some of the more grounded, relatable touches stand out just as much; Haot-fote’s grandmother, who’s also an artisan, used to carve vegetables to resemble other foods that the young boy would actually eat. The author’s unadorned prose delivers concise, vibrant dialogue and narrative details: “The figures in the trees began to reveal themselves, first one, then another. Many more lifted their bodies to outline the horizon. Black stripes and skin painted bright red caught in the morning sun.” Despite a wholly gratifying final act, the ending strongly hints at a sequel to follow.

A full-bodied cast enriches this measured but enthralling tale of resolve and mysterious power.

Pub Date: Nov. 15, 2023

ISBN: 9781959147015

Page Count: 428

Publisher: Double Negative Publishing

Review Posted Online: April 7, 2026

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FOURTH WING

From the Empyrean series , Vol. 1

Read this for the action-packed plot, not character development or worldbuilding.

On the orders of her mother, a woman goes to dragon-riding school.

Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.

Read this for the action-packed plot, not character development or worldbuilding.

Pub Date: May 2, 2023

ISBN: 9781649374042

Page Count: 528

Publisher: Red Tower

Review Posted Online: Jan. 12, 2024

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TRESS OF THE EMERALD SEA

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

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A fantasy adventure with a sometimes-biting wit.

Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

Pub Date: April 4, 2023

ISBN: 9781250899651

Page Count: 384

Publisher: Tor

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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