An irreverent and utterly charming dragon tale.
A fantasy novel in which a grandiose dragon declares his independence.
In this rambunctious debut, Lockhaven imagines a secret sorcery instruction institute that’s far different from Hogwarts, although it does feature avian messengers and quirky field sports. The Site, on the West Coast of the United States, was first opened in 1943 and has been dedicated ever since to harnessing magic for the good of the school, the country, and humanity—very much in that order. It has three new hires, in an echo of the main trio of the Potterverse: Harris Reed, Silvia Flores, and Patrick Nash are all conjurers, and during their orientation, they, and readers, are introduced to the Site’s spacious campus with its Conjuring Department, Prophecy Department, Realm Travel Department, and so on. They have arrived at the Site at a very auspicious moment—one that has been no less than 37 years in the making: Under the careful direction of the Conjuring Department, the Site is ready to whip up a dragon—one that they’re confident will be bound to their will and obediently help American interests. However, once the great dragon Zoth-Avarex appears, it’s clear that he has other ideas: He easily casts aside the bonds of the Site’s magic, snatches up Silvia as his princess-captive, and flies off over the landscape (“if he really concentrated, he could almost hear the screams of the people below. It was just like old times”). He takes Silvia to the top of Seattle’s Space Needle and there makes a den, where he waits for a gold tribute from all the nations of the world. Before long, the creature becomes a worldwide media star.
Lockhaven impressively controls all of this fun from the very first page, offering an endless array of allusions to canonical fantasy literature as well as quite a few snide asides, such as a sign tacked up in one of the Site’s labs: “Absolutely No Conjuring of Sparkly Vampires.” There are references to Star Wars (“I made the Kessel run in less than eleven parsecs”) and J.R.R. Tolkien and a moment when a magician offers Zoth-Avarex a dragon-rider specially trained on Pern, evoking a scornful response: “I’m not a horse, I’m a super-intelligent force of nature. I made your Einstein look like a preschooler the day I cracked out of my egg.” The exaggerated reputation of the Site (“this was the pinnacle of human civilization”) is perfectly played against its officials’ officious incompetence, and although Zoth-Avarex shares the typical charisma of folkloric dragons, he’s much funnier and more media-savvy; indeed, he’s easily the best character in the book. The human drama involving Harris and Silvia and the hapless Site administrators is conveyed with heart and empathy, but it pales in comparison to the conjured creature’s endless stream of quips and insights. The author keeps the plot hurtling along with a strong sense of pacing and a good deal of wit, and longtime fantasy readers are sure to enjoy every minute.
An irreverent and utterly charming dragon tale.Pub Date: April 1, 2021
ISBN: 978-1-09-835150-2
Page Count: 306
Publisher: BookBaby
Review Posted Online: March 19, 2021
Kirkus Reviews Issue: May 15, 2021
Review Program: Kirkus Indie
PERSPECTIVES
PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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