A normalizing portrait of one of Western literature’s most enigmatic poets.
Having previously examined the life of Jazz Age poet Edna St. Vincent Millay (A Girl Called Vincent, 2016), Goddu here turns the spotlight on an even larger American literary figure, Emily Dickinson. Known widely for her tight cryptic verses published primarily following her death, Dickinson is often viewed as a sort of "madwoman in the attic," biographers zeroing in on her particular manner of dress and preference, particularly later in life, for staying home and limiting her social interactions. Much of Goddu’s account seeks to redeem that portrayal, focusing on exceptional forces throughout Dickinson’s life that contributed to her artistry. She makes much of Dickinson’s Puritan heritage and education; Dickinson was never at a want for money and, thanks to her father’s prominence as a U.S. Congressman, was at the forefront of Amherst intellectual society. The author makes the compelling case that with Dickinson’s unique talents—including learning to play piano at age 2—frail health, and proclivity for intense relationships with kin and friends, she had little reason to leave the house. Through Dickinson’s love for nature, science, and reading, worlds opened. Archival photographs enhance the telling.
With select poems, revealing passages from letters, and a richly detailed narrative, this thorough study is sure to entice middle-grade readers to explore one of the 19th century’s greatest poets. (timeline, notes, bibliography) (Biography. 10-14)Pub Date: Feb. 5, 2019
ISBN: 978-0-89733-003-9
Page Count: 192
Publisher: Chicago Review Press
Review Posted Online: Dec. 4, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
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Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?
Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.
A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)Pub Date: May 10, 2016
ISBN: 978-0-14-751813-2
Page Count: 320
Publisher: Puffin
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
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Shannon just wants to get through eighth grade in one piece—while feeling like her own worst enemy.
In this third entry in popular author for young people Hale’s graphic memoir series, the young, sensitive overachiever is crushed by expectations: to be cool but loyal to her tightknit and dramatic friend group, a top student but not a nerd, attractive to boys but true to her ideals. As events in Shannon’s life begin to overwhelm her, she works toward finding a way to love and understand herself, follow her passions for theater and writing, and ignore her cruel inner voice. Capturing the visceral embarrassments of middle school in 1987 Salt Lake City, Shannon’s emotions are vivid and often excruciating. In particular, the social norms of a church-oriented family are clearly addressed, and religion is shown as being both a comfort and a struggle for Shannon. While the text is sometimes in danger of spelling things out a little too neatly and obviously, the emotional honesty and sincerity drawn from Hale’s own life win out. Pham’s artwork is vibrant and appealing, with stylistic changes for Shannon’s imaginings and the leeching out of color and use of creative panel structures as her anxiety and depression worsen.
A likable journey that is sensitive to the triumphs and agonies of being a 13-year-old girl. (author's note, gallery) (Graphic memoir. 10-14)Pub Date: Aug. 31, 2021
ISBN: 978-1-250-31755-1
Page Count: 320
Publisher: First Second
Review Posted Online: June 10, 2021
Kirkus Reviews Issue: July 1, 2021
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