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THE YELLOW EMPEROR'S CURE

This richly painted literary novel brings a Portuguese doctor to 19th-century China to find a cure for syphilis.

In 1898, Doctor Antonio Maria is one of Portugal’s best doctors, but when his widowed father becomes desperately ill with syphilis Doctor Maria will do anything, go anywhere to find a cure to save his father’s life. With reason to believe the Chinese have a cure, he leaves his fiancée behind and sails to China, devoting himself to learning medical secrets from a man named Xu. The trouble is that Doctor Maria must live in China for four seasons and learn the ways of qi before Xu will teach him what he wants to know. In the meantime he falls in love with Fumi, a mysterious woman with close ties to the Empress Dowager. Will he find the cure in time to return home and save his father? Or find it and return to Portugal before the West-hating Boxers kill him and all the other foreigners? Does Xu even know the cure, or is he simply stringing Doctor Maria along for his own purposes? Can he meet the Empress and enlist her help? People are not who they seem as Doctor Maria immerses himself deeply in a strange and complex culture. Readers will get vicarious pleasure as he learns an array of sexual positions from Fumi. Occasional passages are briefly confusing as the narrative dips in and out of nightmares, but ultimately they help the story. For a man with an urgent mission, Doctor Maria seems incredibly patient, even distracted, as he navigates the ways of a world in which he is often the unwelcome outsider. Many people suffer losses in this novel, a deeply satisfying tale mixing history, cultural clashes, violence and love. Fortunately, it’s the readers who win.  

 

Pub Date: Oct. 1, 2011

ISBN: 978-1-59020-708-6

Page Count: 320

Publisher: Overlook

Review Posted Online: Sept. 1, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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