An impressive enterprise that moves very, very slowly.
Belated sequel to Infernal Devices (1987), the iconic Victorian fantasy for which the author himself coined the term “steampunk.”
George Dower, the timid and not very knowledgeable ex-owner of a repair shop in Clerkenwell, has been rusticating far from London while gambling away the money he gained by selling the remarkable (and to George, largely incomprehensible) clockwork contrivances of his late father to the Royal Society. Finally broke, he’s invited to attend the unveiling of a steam-powered walking lighthouse, a critical component of which was invented by George’s father. George fails to understand why anybody would need a walking lighthouse. As Lord Fusible of Phototrope Limited explains, the seas themselves are intelligent, and their tides ebb and flow according to their own mysterious purposes. What better way to outfox the Sea & Light Book betting agency than to walk the lighthouses to where they’re needed? Moreover, if George can locate his father’s Vox Universalis, communication with the seas might be established. Tempted by the prospect of large amounts of money, George agrees to help. But the world has changed since his self-imposed exile: Vast steam pipes emanating from the Lake District steam mines snake across the countryside; London is a hissing, steam-enshrouded madhouse whose inhabitants have been enticed into ever more bizarre modes of expression. Who is the fabled Iron Lady? And what, exactly, are her intentions? Though the plot—improbable, even by steampunk standards—of this intricate yarn runs out of, er, steam, about three-quarters of the way through, there’s plenty of humor to keep things churning. And U.K.-savvy readers will recognize certain rather scalding satirical elements.
An impressive enterprise that moves very, very slowly.Pub Date: Oct. 15, 2013
ISBN: 978-0-7653-7402-8
Page Count: 352
Publisher: Tor
Review Posted Online: Aug. 17, 2013
Kirkus Reviews Issue: Sept. 1, 2013
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A fine novel for those who like to immerse themselves in alternative worlds.
Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.
In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.
A fine novel for those who like to immerse themselves in alternative worlds.Pub Date: Jan. 28, 2014
ISBN: 978-0-345-53978-6
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
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