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A PLACE OF SAFETY: NEW WORLD FOR OLD

A moving depiction of the human costs of political chaos.

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In Sullivan’s historical thriller, a young man from Northern Ireland emerges from a catatonic state in Texas and finds that he’s an international fugitive.

In 1973,17-year-old Brendan Kinsella suddenly regains consciousness at his Aunt Mari’s house in Houston, Texas, far from his own home in Derry, Northern Ireland. His mother’s sister cautiously begins to reveal to him the shocking nature of his predicament. After he was accidentally caught in a politically motivated bombing, he was smuggled out of the country under an assumed name: Brendan McGabbhinn. Badly wounded, he slid into akinetic catatonia—a state in which his “mind had separated itself from this world, for a little while.” Now he struggles to remember details of his former life; he also resists doing so, however, mainly because his beloved girlfriend, Joanna, perished in the attack. At first, he’s elated to be free of “the horrors of Derry, and the hate and the pain and the anger and the suffering and the never-ending brutality, both small and large,” but he considers returning to his homeland after he finds out that his brother, Eamonn, has been arrested and that his mother is ill with cancer. Over the course of the novel, Sullivan deftly manages to present the protagonist as an ordinary teenager with prosaic, adolescent longings and shows how he’s been transformed by living in a grimly violent environment. The entire novel is written from Brendan’s first-person perspective, a narrative choice that allows readers to easily feel his emotional conflicts and agitations. The novel can be bewilderingly unclear at times, but such confusion artfully mirrors the protagonist’s own disorientation. Overall, it’s a subtly evocative tale with psychological nuance and historical verisimilitude.

A moving depiction of the human costs of political chaos.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: July 24, 2024

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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