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THE SPECIFIC OCEAN

A lovely, quiet beach story.

A young girl must reluctantly leave the city and friends she loves in favor of summer in a cottage with her family on the Pacific coast.

The young protagonist of this lyrical picture book doesn’t want to leave her friends behind. However, the trip is not optional. Her negative reaction to the ocean upon arrival (“dull, droning, dreary water”) is important as it highlights the drastic change her feelings undergo over the course of the story. After a couple of days of avoid-the-ocean tantrums, the protagonist, “slowly, grumping,” accompanies her mother to the water. The pale color palette used throughout the story successfully evokes a watery, sun-bleached feel—a perfect complement for this beach story. The descriptive prose continues, chronicling the evolution of the protagonist’s response to the ocean from avoidance to a desire to make that ocean her “Specific Ocean” to a reluctance to leave, ending with the realization that the ocean will always be inside her. Her final description of the ocean is rapturous: “Calm. Blue. Ruffled. Gray. Playful. Green. Mysterious. Black. Foggy. Silver. Roaring. White.” Some of the protagonist’s thoughts and concerns feel a bit adult, but the poetry of the text makes this easy to forgive. The slight didacticism of the oceanographic message is similarly easy to overlook.

A lovely, quiet beach story. (Picture book. 5-9)

Pub Date: Aug. 1, 2015

ISBN: 978-1-894786-35-5

Page Count: 32

Publisher: Kids Can

Review Posted Online: May 11, 2015

Kirkus Reviews Issue: June 1, 2015

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DOG DAYS

From the Carver Chronicles series , Vol. 1

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...

A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility. 

Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)

Pub Date: Dec. 17, 2013

ISBN: 978-0-547-97044-8

Page Count: 128

Publisher: Clarion Books

Review Posted Online: Oct. 1, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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