by Kyoshi Anthony Ferguson ‧ RELEASE DATE: March 9, 2018
A straightforward account of a life focused on karate.
A debut memoir recounts a man’s ascent through the ranks of karate, from white belt to Hall of Fame black belt.
Born and raised in Miami, the author initially became interested in karate through the films of Bruce Lee. In the early 1980s, after being assaulted by some older boys, the 14-year-old Ferguson decided to learn self-defense and chose karate. Though initially shy and reserved, he grew more confident in his classes, and he began to rise in the ranks, earning his third belt—the green belt—within nine months. The author clearly describes the various tests he had to complete to gain his belts as well as the sense of community that was fostered by his teachers, Hanshi Moises and Sensei Benny Colon. They not only brought their students to compete in tournaments, but also regularly treated them to camping trips or cookouts. Besides acquiring considerable physical skills, Ferguson writes that he also gained another family. After four years of training, he received his black belt, becoming the first to ever reach that rank under Moises and Colon. Ferguson then left Miami after eight years of training, and no matter where he moved—first to Savannah, Georgia; then Jacksonville; and finally back to Miami—he remained involved in the karate community and even opened his own dojo in Savannah. In 2017, after nearly 40 years in the discipline, he was enshrined into the United States Black Belt Hall of Fame. In his book, which features black-and-white photographs of the author and other karate practitioners, Ferguson’s prose is very matter-of-fact and rarely reflective. While his achievements are impressive, readers are not always given much insight into what they meant to the author at the time, and what they signify to him now. The writing is most engaging when Ferguson discusses his mentors and the teachers who have helped him along the way; the compelling passages are filled with reverence and love for this circle. But the author occasionally gets bogged down in terminology and minutiae that will likely leave karate neophytes confused, and the sections about his teaching style lack specific examples.
A straightforward account of a life focused on karate.Pub Date: March 9, 2018
ISBN: 978-1-5043-9481-9
Page Count: 108
Publisher: BalboaPress
Review Posted Online: Sept. 18, 2018
Review Program: Kirkus Indie
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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