Debut author Johnson enters the literary scene with a beautifully penned eulogy to the Labrador retriever who taught her to appreciate life in the moment while helping open her fractured heart to the joys of love.
By the time Johnson was ready to bring a puppy into her life, she had shouldered a lion’s share of emotional baggage: she lost her mother to cancer at an early age, was abandoned by the father of her unplanned baby (given up for adoption), and had freed herself from an unhappy marriage. Along the way, she became a jet pilot. She had hung up her wings and taken a well-paying job (as an unspecified federal agent) and was about to purchase a new house. “It was time for a black lab.” Even before Barkley was old enough to leave the litter, he picked Johnson out to be his mother. As the other puppies ran around frolicking over new people and smells, Barkley sat quietly and studied her. Then he made his decision, coming over to check out her shoelaces, never leaving her side. This memoir is the story of the 10 years Johnson and Barkley shared. But it is much more. Johnson’s writing borders on the lyrical, her prose meandering gently to and fro through a lifetime of recollections and musings, always coming back to rest in the safe harbor of the love, trust, and protectiveness she and Barkley had for one another. She’s a fan of lengthy, free-flowing sentences, and some readers may occasionally wait a bit impatiently for her to put aside the philosophizing and return to Barkley. He was always there—the inspiration for her thoughts, the validation that life is worth living. And there are plenty of Barkley tales to satisfy. Right up front, readers will know they need a box of tissues: the book opens just after Barkley has died. So buck up for this tender work full of humor and charming misbehavior.
An unusually full-bodied love story that will wrap itself around the heart of anyone who has been fortunate enough to experience life with a dog.Pub Date: July 21, 2014
ISBN: 978-1478734345
Page Count: 254
Publisher: Outskirts Press Inc.
Review Posted Online: Jan. 2, 2015
Kirkus Reviews Issue: March 1, 2015
Review Program: Kirkus Indie
Categories: GENERAL NONFICTION
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Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
Categories: GENERAL NONFICTION
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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)
Pub Date: May 1, 1995
ISBN: 0-19-508629-4
Page Count: 224
Publisher: Oxford Univ.
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 1995
Categories: GENERAL NONFICTION
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