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CAFÉ FRENCH

A FLÂNEUR'S GUIDE TO THE LANGUAGE, LORE & FOOD OF THE PARIS CAFÉ

A clever and entertaining introduction to Paris’ cafe culture.

Awards & Accolades

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A food writer delves into the myths and realities of the classic Parisian cafe.

Harris (Foodoodles, 2010) first came to Paris to study abroad in 1963 and continued to visit, spending months at a time there between 2011 and 2015 while working for an online food journal. Like many writers and travelers throughout the 20th century, the author considers himself a Francophile and would-be expatriate. In his new book, he weaves together journal entries, restaurant critiques, and personal drawings that all center on Paris’ famous sidewalk cafes and his experiences of them. He begins with an in-depth look at flâneurs, those artsy and often well-dressed 19th-century figures who made strolling and people-watching into an institution, before sizing up the current conditions of the Parisian cafe, finding the classic institution under threat from cringeworthy croque monsieurs. As he compiles his cafe index, Harris muses on garçons (surly Paris waiters) and the oddities of the French language, illustrating the striking similarities between “foie” (liver) and “foi” (faith) with delightfully irreverent cartoons. Harris also spends considerable time reflecting on his home in Berkeley, California, and how the cafe’s allure has touched the world. Throughout the book, the author employs witty wordplay that is sure to delight his fellow Francophiles, throwing in n’est-ce pas and très for slightly pretentious but still charming comedic effect. His writing is strongest as a pure travelogue, diving into particular meals, like his 85 euro roast chicken at Chez l’Ami Louis. His forays into academic and historical analysis are somewhat less successful. The writers, ideas, and even the specific, hypercentral cafes that Harris concentrates on will already be well known to true lovers of la vie Parisienne. It is a shame readers do not get more of the author’s sharp perspective (and amusing artwork) focused on Paris’ less famous sidewalks, but readers less well versed in the city’s lore will start to see what all the fuss is about.

A clever and entertaining introduction to Paris’ cafe culture.

Pub Date: N/A

ISBN: 978-0-578-48537-9

Page Count: 195

Publisher: Villa Books

Review Posted Online: Oct. 22, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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